they were truly epic, a band that has really made an impact in the minds of those who listened to and appreciated them more
If we consider the debut album from the big four of the Seattle scene (only the big four), this one by Pearl Jam is definitely the best, I would even dare to call it a Masterpiece... Perhaps only "Facelift" comes close to "Ten"... more
Philip Tagg said: cities are like low-fidelity stereo systems. You need music that screams above the traffic and metal. To impose oneself. To rise. To elevate. Above the traffic. Or away from it. Textual riffs for wrecked cars and gas station vending machines. The Summer of the Polar Bear. Scorching asphalt. Something of Nothing. more
They never make mistakes! more
Vasco seems like the sea, goes (as they used to say once) more
He has written some pleasant pieces, nothing more. more
I don't like him too much, but he has written nice lyrics and I find him likable because he's from Calabria. more
Certo! Inviami il testo e procederò con la traduzione. more
One of the most creative English rock bands of their generation (led by an extraordinary singer, among other things). more
The first one was cute, then I don't know. more
I dedicate this to memories and to a few songs like Vermilion that I still enjoy listening to every once in a while. more
gagliardi! more
I don't know, I like them; in their genre, there’s definitely worse out there. more
Genius. He has made some minor missteps as a solo artist and his Tomahawk project doesn't really excite me, but he has given birth to milestones with Mr Bungle and Faith No More, and many of his countless collaborations are at least noteworthy. more
But is it music? more
Unbearable and to be thrown in the organic waste bin like all nu metal. more
Blablabla Axl sucks... blablabla Slash can’t play.... blablabla the Guns are shit blablabla.... MASTERPIECE. PERIOD and THAT’S IT!!! more
faggots more
Among the most beautiful of King Crimson. Side A features smoother compositions compared to its predecessors, allowing the trio to brilliantly balance dynamism and sonic complexity. Side B is marked by psychedelia: "Providence" returns to the style of "Moonlight" (the fourth track of the debut), were it not for some fragmentary "hard rock" outbursts; and finally, "Starless," a gem suspended in space and time, seems to evoke the atmosphere of "Islands." Sublime! more
a musical proposal that has managed to unite different styles - from glam rock to new wave - reinterpreting them and making them interact with each other in a always personal and effective way more