To be listened to on a rainy night. Cher Baker, what a wonder. more
"Farwell, Farewell" - Fairport Convention [Audio] Down with the tears and the hats, ladies and gentlemen...
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A halfway point between poetry and a pain in the ass. more
Album that I dusted off this evening. Blows for the blind, God wild boar! more
The countryside, the vast Anglo-Saxon expanses, the minstrels wandering along the cobbled streets. Rustic, bucolic echo of English Folk. more
A wonderful album that has nothing to envy from the group's previous two works. The permanent entry of maestro Terry Woods in the lineup has had a significant impact on the songwriting, and it is precisely from the Woods/McGowan duo that something like "Streets of Sorrow/Birmingham Six" emerges. Then there's the lethal punch of the first three tracks ("Turkish Song of the Damned"!) and the grandeur of "Fairytale of New York" (a splendid duet with MacColl) and "Lullaby of London." Chills. more
Heavy Metal with a vengeance, Rock Until You Drop and Wiped Out are must-haves. more
A remarkable leap in quality from the previous Tarkus. Now and then, Lake emerges with some pleasant acoustic arpeggios, but, as expected, it’s once again the keyboards that take center stage. more
The worst of the trio he forms with Fabi and Gazzè. more
One of the band's masterpieces. Inserts of rock & roll and free jazz blend with progressive neoclassicism in question. A mind-blowing, majestic, and inspired tapestry of keyboards, for one of the highest quality albums of the entire 1970s prog movement. more
I'm sorry to give a low rating to a very talented director, but I just can't stand him. Incredibly boring films, I can't even finish watching them. more
I have it among the pile of crap, I haven't listened to it in ages but I still remember that shitty voice that grated on my nerves.
Terrible cover. more
Very nice dookie and kerplunk, stunning american idiot. The rest is so-so... more
I liked them, until 2008. more
a genius, I wouldn't know what else to add more
The masterpiece by Prince. more
The first album ("Shinshoku Dolce") is very beautiful, honest, but only adequate for the second one ("Shoujo Jikake no Libretto"), and unlistenable, at least for me, the third one ("Tsukinami"). It's a shame about the regression of her image, which has shifted from an elegant gothic Lolita to an anonymous anime character. Nevertheless, she remains an excellent cellist and a decent vocalist. Rating: 4 for the first two albums. more
The glamorous gentlemen of funky/pop music of all time! more
Yes, I really like them a lot. I would include them in my personal top 10. more