Spectacular album, one of the most intense I've ever listened to in my life, just slightly better than Blue. more
"State Trooper" one of the most beautiful pieces in history. The entire album is a succession of deeply intimate, magical moments. A great album of sparse folk that, however, hides an unprecedented emotional violence behind its slender appearance. One of the peaks of Springsteen's career. more
This is a legendary record as much as the first two by Bill Fay and Linda Perhacs' debut album. It took almost thirty years for Ed Askew to release a new studio work (which would happen in the late nineties). The comparison may seem bold, but listen and you’ll believe: the artistic sensitivity of this songwriter is incredible, and what is perhaps most surprising at this point is the fact that even the records recorded afterwards, so many years later, are of exactly the same artistic depth and contain the same emotional and imaginative potential. His voice, and his very particular way of singing, carries an incredible expressive power. more
If I had to choose just one word for this album, it would be: destruction. The power of this duo (it will surely appeal to those accustomed to listening to metal or industrial music) annihilates heavy-psych bands like Pontiak or Arbouretum. Hallucinated to the brink, it forcefully pushes you into complete madness. more
"Vita spericolata" marked me, but in a bad way... nobody has managed to get me so angry in five minutes like Vasco Rossi. Fuck you, your shitty music, your idiot fans. Maybe it was better if he had kept doing drugs instead of recording albums. more
Washer is so beautiful that it’s indescribable. This album is incredible, with perfect arrangements and perfect songs. This record has won. more
The Wire, a vast fresco of a city, Baltimore, which is nothing but a reflection of all the possible and imaginable corruption in this world... The Wire merely describes reality, and it does so in a maniacally perfect way. more
Really a great album more
"Weakness is power, and strength is nothing. When a man is born, he is weak and pliable; when he dies, he is strong and rigid, just like a tree: while it grows, it is tender and flexible, and when it becomes hard and dry, it dies. Rigidity and strength are companions of death, while weakness and flexibility express the freshness of existence." more
Beautiful and surprising debut album by this band from Michigan, released at the end of 2015 on the usual psych label, 'Beyond Beyond is Beyond Records' (the one known for Myrrors, Kikagaku Moyo, and Jeffertitti's Nile, just to be clear). Super fresh garage psychedelia to listen to and relisten to. more
In the end, as Herzog emphasized after a heated dispute with Abel Ferrara, this film is not a remake of the 1992 film starring Harvey Keitel. Thank goodness, I say, because otherwise the comparison for poor Herzog would have been ruthless. The plot is filled with twists and turns that unravel in the finale with incredible ease, almost magically. It’s a weak film, crammed with rhetoric, where the only redeeming quality is the great effort (at least that) that Nicholas Cage puts into playing the bad lieutenant. Not to mention the beauty of Eva Mendes. Other talented actors and character actors like Michael Shannon (first and foremost), Val Kilmer, Fairuza Balk, and even Xzibit are also wasted. The best part is the setting in a New Orleans that is desperately trying to recover after the devastation caused by Hurricane Katrina. more
A man with a soul RUUUUACCKANNNNRUOOOOOOOOOOAAAAAAAAA AAAIIIUUUUUOOOOOOOOLLLLLLLLL!!! more
The film tells the story of the life (a snippet of life) of the poet Mark O'Brien. Afflicted by polio since the age of six and nearly completely paralyzed, forced to live for much of the time within an 'iron lung,' Mark, at 38, decides to seek contact with a woman, to try to establish a connection with a woman or at least to attempt to have a sexual relationship. The film clearly has positive content and intentions, even commendable, regarding self-love and love for others, the love of life, but it did not resonate with me. more
Just eat shit! more
Despite the title, 'Simple Songs' actually contains eight tracks constructed with the calculated intelligence and technical skill that is typical of O'Rourke, who is undoubtedly a great musician and producer, as well as one of the most influential figures in American music over the past twenty years. Celebrated with great acclaim from both the public and critics, I personally find that the overall sound is too sophisticated and ultimately leads me to prefer his more experimental works. more
A solo album by Graham Nash is still an event. If nothing else, it's because, in so many years of his career, he hasn’t released that many (the last one: fourteen years ago). A figure among the most intelligent and brilliant in the USA and international music scene, 'This Path Tonight' is not some kind of testament nor is it an attempt by a poor old man (seventy-four years old) to feel alive again, but a robust album made up of a handful of good songs, where you can feel a certain strength right from the first track. Here and there, there is a certain reference to sounds - rather: atmospheres - of soft-progressive music (see the title track) or typically late-seventies, but everything is nonetheless balanced, well-produced, and avoids falling into unpredictable and unpleasant excesses. more
Marley was the official disseminator of reggae and Rastafarian culture. Often boring and repetitive, never an innovator or a genius, Marley stole riffs, arrangements, and melodies from all commercial genres, both white and black, from spiritual to Tin Pan Alley. Camouflaged as music of the Third World underclass, it was actually just dance music for American teenagers, and its author a late, aspiring, and superficial hippie. (SCARUFFI) more
They have never been this close to being a classic hard-rock band. Great drive and a chilling Paul Newton, but they've done better. more