Donald Duck
Daisy was sleeping with half of Duckburg. more
Mickey Mouse
Minnie was sleeping with half of Mouseton. more
Mickey Mouse
Irritating more
Bob Dylan -Desire
The painful masterpiece of the minstrel from Duluth, enhanced by a violin that writhes, twists, and hurts. All the tracks are beautiful, but the one I feel the most connected to remains "Sara," one of the most heartfelt and anguished love songs in all of American songwriting. 9. more
The Index -The Red Label Album
Released practically just a few months after the first album (with Tom Belew added on bass guitar, whose contribution is definitely felt), the album is now dubbed 'The Red Label Album.' It sounds probably less experimental and garage-like compared to the first episode, taking on more of a blues psychedelia vibe ('Spoonful,' 'Eight Miles High') and leaning towards conventional song structure ('New York Mining Disaster,' 'Paradise Beach'). The album features a reimagining of 'Turquoise Feline' from the first album and two covers of Bee Gees songs ('I Can't See Nobody,' 'Break Out'). It’s a beautiful work nonetheless, with its only 'flaw' being that it isn’t something as unattainable as the previous one. I already love this band a lot.

#levitation more
Federico De Caroli -Il futuro è finito
An unpredictable and apocalyptic novel in the literal sense of the word. more
Arcadium -Breathe Awhile
In the list of British bands from the '60s and '70s that shine like shooting stars in the progressive sky (Khan, Writing on The Wall, T2, etc.), they sit in the front row: the heaviest you can hear in the genre but with utterly ethereal melodic openings. "I'm on my way" is how Comus would sound if they were a rock band. more
The Flower Kings -Back in the World of Adventures
Stolt and companions, back in 1995, bring us sounds and atmospheres of the most classic progressive style, which we thought were long lost in time. more
Flat Earth Society -Waleeco
Recorded at Fleetwood Studios in Boston, 'Waleeco' is the only LP released by this psychedelic rock band from Massachusetts back in 1968. A small gem of the genre and, as far as I'm concerned, a fantastic discovery. Eleven tracks of psychedelic sounds typical of that era, between The Byrds and Buffalo Springfield, with deviations that already hint at Velvet Underground ('Midnight Hour,' 'In My Window') and more evocative episodes like 'Satori' and 'Portrait in Grey,' which foreshadow some experiments that later became typical in the genre. Beautiful.

#levitation more
Rob Burnett -The Fundamentals of Caring
Paul Rudd is one of those actors of the new American cinema that I consider multi-purpose, and you can find him in different films that range from independent productions—sometimes even committed—to the most clichéd romantic comedies. In this beautiful film by Rob Burnett, he plays Ben, a social worker who serves as a caregiver for a boy named Trevor (Craig Roberts) suffering from muscular dystrophy. Ben will convince Trevor to overcome his resistance, and the two will embark on a long journey to what is "the largest hole in the world" (I believe it's the Morning Glory Pool in Wyoming, Yellowstone Park). It’s a road trip experience that will mark both of their lives. The cast also includes the young star Selena Gomez. It doesn't aim to tear your heart out, and perhaps that's why it’s a successful film. more
Louis Leterrier -Now You See Me
Film directed by Louis Leterrier and featuring a rich cast including Mark Ruffalo, Morgan Freeman, Jesse Eisenberg, Isla Fisher, Melanie Laurent, Michael Caine, Dave Franco, and Woody Harrelson. Standing out among them is the performance of the former, an actor I consider one of the best around, along with the usual Harrelson. Morgan Freeman is good too, but that's not news. An ambitious film, at times even spectacular, it tells the story of a group of four magicians who, in a tale tangled between fiction and reality, commit heists during their performances. The initial part is beautiful and captivating, but the film loses its way becoming a sort of action movie with the usual car chases seen and reviewed a thousand times. It recovers some points in the finale, but my overall judgment is insufficient. It could have been better. more
Omero
Fundamental bone of the arm more
Pendragon -The Masquerade Overture
A fairytale journey through the best that Pendragon's new progressive can offer. Those looking for heavy metal noise might as well go elsewhere. Beautiful (apart from the cover...) more
The Flower Kings -Unfold the Future
A wonderfully rich double album, a true summation of the teachings of the great progressive. Tons of Yes, a few sprinkles of the Gentle Giant here and there, all expertly blended with the best quotes from Caravan and the Canterbury Scene. Masterful and thoroughly enjoyable. more
Vasco Rossi -Non Siamo Mica Gli Americani
Considered the top Italian rocker. Huh? Many doubts... I've always hated it. This "work," however, is acceptable. more
Lene Lovich -Stateless
A crazy dazed woman more
Offspring -Smash
Wow, how beautiful! more
The Jesus and Mary Chain
Huge, enormous. Psychocandy is a groundbreaking album, capable of dividing the history of rock into a before and an after. more
Niccolò Fabi -Una somma di piccole cose
I had never listened to any of his solo work, but I had always looked favorably on this singer-songwriter. I listened to this album more out of curiosity than anything else, and I was very positively impressed, to the point that I consider it one of the best albums of more or less recent Italian singer-songwriter music that I have listened to lately. Some tracks made me think of the best episodes of Perturbazione ('Ha perso la città', 'Facciamo finta', 'Una mano sugli occhi'), while others inevitably refer back to the Italian singer-songwriter tradition and fundamental authors like De Gregori (I think of 'Vince chi molla'), but in reality, it all primarily comes from his own creativity, from 'Una somma di piccole cose' to 'Le cose non si mettono bene', 'Le chiavi di casa', and it's a sign of an artistic maturity that I think is now widely recognized. more