AKA the shit-monger. Renzo Guerini [one of the new architects of the farce progressivism] is now also his follower: as true as the Berlu-icon on page 10 of the Quagliotti family II - the Collection. more
1 to Fazio, 5 to Litti. more
Everyone stop: scarrone... s-cianti... scopelliti... scoparuzzo[!-in art Miele]... oh yes, the current Easy-Sanremo singers all have the same kind of names and... last names. And look. And partners. And sound engineers. And TAKE THAT. more
I also find the albums immediately following Half Machine excellent, at least up to 3rd from the sun. more
One of the great bands of the '70s!! more
Let's give him time, it will take a lot. more
Shoegaze at its highest expressive levels (in a particularly noisy and murky variant). more
Why can't you fly anymore? more
Legendary. The pop that has reigned supreme for 40 years. more
A band born in the right place at the wrong time. If they had debuted in 1985/1986, perhaps they would be more famous now and would have dethroned those assholes of Motley Crue from the throne of the best Glam Rock band. The fact remains, however, that the first three albums are exceptional. more
Good Hard Rock band, but aside from a few excellent albums like Rocks, Pump, and Toys In The Attic, they are incredibly overrated. There is definitely better out there. more
The tasty intro of "Tunnel of Love" marks the beginning of a certain shift in the band's sound compared to the previous two albums. Keyboards and piano replace the rhythm of David Knopfler (but not yet with a fixed and "official" keyboardist). In my opinion, the beautiful "frontier" atmospheres are lost, but the music remains, as always, enjoyable, always good to be revisited from time to time, even without a track that particularly stands out compared to the others (perhaps "Expresso Love" is my favorite). Of the first four, it is the least beautiful, but it remains more than a decent rock/pop album. more
"The only guitarist who could teach me a thing or two about guitar is Eric Clapton." Eddie Van Halen
What else is there to add? more
Undisputed queen of song and the great era of Italian variety television, still very young, she turned her back on her audience by releasing records for over forty years that only Mollica stubbornly insists on calling masterpieces. more
When it is said to have drained everything, to get to the core, to the heart, not having to explain anymore, not having to justify. Like at the end of a suffering. more
Okay, he may be a plagiarist, annoying, an asshole if you like... but seeing one of his live concerts is definitely an experience you won't forget. He's a crazy wild man. Zucchero: VIDEO INTEGRALE insulti e lanci di bottiglie
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I see colorful clothes, 50s American housewife hairstyles, everything sparkles but like in a slow replay, and meanwhile underneath it throbs and beats, beats and throbs, it shakes your knees, you have to get up, you have to rotate following the melodies and at the same time keep the rhythm. Orgasm. more
I still haven't figured out why they became so famous. Probably because of the image, certainly not for the music. The classic Greatest Hits band and that's it. more
Absolutely underrated group in the hard rock scene of the '70s. The period with Schenker (but not just that, they produced great albums until the mid '80s) is of very high quality. more
Here, I believe it's the last decent thing ever done by Collins as a solo artist in his career (in absolute terms, there's also "We Can't Dance" by Genesis, which is also "decent") and definitely more enjoyable than the terrible predecessor. The more upbeat tracks are, in their way, nice and fun; there's "Another Day in Paradise," harmless but with a catchy melody, and then, well, there are unfortunately 5-6 awful ballads, and there's nothing to be done about it. Let's all throw the rotten apples at Steve Winwood for playing the Hammond on "All of my Life." Anyway, it's listenable, if you're easy to please and as long as you enjoyed at least the first two of Phil's solo works. more