The tasty intro of "Tunnel of Love" marks the beginning of a certain shift in the band's sound compared to the previous two albums. Keyboards and piano replace the rhythm of David Knopfler (but not yet with a fixed and "official" keyboardist). In my opinion, the beautiful "frontier" atmospheres are lost, but the music remains, as always, enjoyable, always good to be revisited from time to time, even without a track that particularly stands out compared to the others (perhaps "Expresso Love" is my favorite). Of the first four, it is the least beautiful, but it remains more than a decent rock/pop album.
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