The calm soul of "my" boys. Very young and considered one of the most gifted session men around, he takes a moment's break to compose at home; his wife soon can't stand it any longer and says to him, "Why don't you join a band? I read that Page is looking for musicians for a group." "Jimmy, if you need a bassist, keep me in mind." "Sure, I'm going to check out a singer and also a drummer, I hope... if everything goes well, we should be good." During their first rehearsal in August 1968 in half a studio/basement, they tried "Train Kept A Rollin" and the sensations were devastating and demonic. The legend was born. And he will play everything; the chemistry with Bonzo will be technically exhilarating, while the relationship with the other three, more excitable members, will sometimes be difficult. But his love for the group is visceral. He talks little, he's less boisterous, but you can count on him with your eyes closed. Only a couple of journalists, guilty of writing nonsense about "his" band, would see him angry. He was very hurt when Page and Plant didn't call him along for their subsequent project (I've read about twenty books and still haven't figured out why). And when he couldn't take it anymore, "Daddy Peter" would come to comfort him. An incredible musician! "No Quarter" is in my heart, dear Jonesy! more
For heaven's sake, she definitely has a voice, but personally, she really annoys me. She acts like she's Janis Joplin or something. more
In the Verve a great period, solo not bad at all. Anyway, a great songwriter even if it may sound like a cliché. more
It's always nice to listen to this album again, the last of a perfect "trilogy," even though "An Old Raincoat.." and "Smiler" open and close a remarkable five years. This stands as a testament to a great frontman and a great voice from past decades, during the "Mercury" period, his best ever. more
It couldn't have been any other way... he and Bonham got along famously as soon as they met; he even got on stage with Zeppelin one night to play (and the Devil knows how "impossible" such a scene was). Keith wasn't just a great drummer like some of the other great drummers are said to be. Keith was unique; you recognized his sound instantly. He didn't need to do solos; he kept time through continuous solos. He is Keith Moon, and alongside Bonzo, he is the one who influenced future generations of drum destroyers the most. And then there was his humanity and sensitivity that were extraordinary, his pure and beautiful "madness" even more so; unfortunately, as often happens with these great souls, the restlessness of not knowing how to live, of how to fit in is the true anguish that accompanies them. I understand them very well, unfortunately. In my dreams, there's Him and John Henry smashing everything down somewhere. And the Who had to break up, for goodness' sake, Keith Moon was not just a great drummer!!! more
Fantastic professionals. more
The group I grew up with and that I can't do without. They forged their unmistakable and highly personal style within the grand melting pot of electro-pop and then electro-rock-blues. "Black Celebration," an essential album of the '80s. Below are my personal ratings.
-Speak & Spell 7
-A Broken Frame 6.5
-Construction Time Again 7
-Some Great Reward 7.5
-Black Celebration 9
-Music for the Masses 8
-Violator 8.5
-Songs of Faith and Devotion 8.5
-Ultra 7.5
-Exciter 5.5
-Playing the Angel 7
-Sounds of the Universe 4.5
-Delta Machine 6.5
-Spirit 6.5 (but I listen to it continuously…)
-memento Mori 7 more
Great band, nothing to say, although sometimes they remind me too much of Oasis. more
Despite the typically "hipster" listener who only appreciates Venditti's first three or four albums, I overwhelmingly prefer his "mainstream" phase from 1975-78 onwards. To put it this way: "Sotto il Segno Dei Pesci" may be commercial but it contains "iconic" melodies. A track like "bomba o non bomba" is worth five of the incredibly dull and soporific Venditti from his early days. As for today's Venditti, well... aside from a few isolated gems, it's better to lay down a heavy blanket... more
Great hard rock band, it’s a shame this is their only work. They deserved more, just like so many others... more
Long live Uncle Les! more
From my perspective, criticizing Ed Sheeran is pointless, but praising him is unusual. But how do you praise him? What new things does this artist bring? None. You might say, "not everyone can be an innovator," and I agree. But does he write the best songs? No. He merely has the ability to remix four ingredients used millions of times and to present himself well. Zero substance. more
The essence of rock 'n' roll, a miracle that lasted 12 years and for this reason even more appreciated. more
I like it. It does almost nothing and rolls the weed backstage, always better than the drummer. more
Immense. Everyone remembers Alvin Lee, his guitar would penetrate you (yeah, it wasn’t just fast, damn it!) but the other three?! Lyion, Rich Lee, and Churchill were incredible musicians who turned even the simplest pieces into true gems. Woodstock was electrified. more
little to do, probably their most beautiful album. more
After Check Your Head comes the big hit and the Beastie Boys deliver yet another masterpiece. Alternating the played parts with classic rap, Ill Communication is one of the best albums of the 90s, a mix of genres including punk, rap, rock, and funk. A must-have! more
Unlike Paul's Boutique, this album, apart from the singles, is still somewhat unjustly underrated. The production by Mario C. and the addition of instrumental interludes give the group a new twist, making them much more rap rock than before, and it features some gems (e.g., "in 3's" and the punk cover of "time for livin'"). more
after the rochetaro debut, the beastie boys meet the dust brothers, and one of the best albums of all time is born, not just in rap. A truly forward-thinking and innovative album, each track contains numerous samples from various songs that create an absurdly perfect sonic collage for the year it was released. A masterpiece. more
Three idiots have created a masterpiece. But they are not that idiotic, just look at the rest of their discography. Anyway, as a debut it’s a sonic bomb, the precursor of crossover and of so much great stuff that will come in the 90s. The only track that's slightly underwhelming is "Girls"; I know it's hugely loved, but it doesn't drive me crazy. more