One gets the impression that Beckett, in his own home, is laughing malevolently behind our backs, while with a simple television interview he could clarify everything.
We would immediately say that, in our opinion, demanding this "open sesame" at all costs makes no sense. Establishing whether Godot is God, Happiness, or something else is of little importance; seeing if Vladimir and Estragon represent the petty bourgeoisie who wash their hands of it all, while Pozzo, the capitalist, brutally exploits Lucky, the proletariat, is perfectly legitimate, but the Christian "key" is equally legitimate, whereby everything, from the tree present on stage, which should represent the Cross, to Godot's white beard, can be explained with the Gospel in hand... (Carlo Fruttero)
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