An artist who has always been... Go ahead more
RE..........SPECT...........WALK!!! more
Jim Morrison was the poet and the rebellious image that embodied the spirit of the Doors, Ray Manzarek the engine that drove the music. more
Oh, but they don't make TRU PIUR DETH MEDAL, so they must suck for sure. more
A group I would very gladly have a beer with... more
the Talk Talk album you don't expect. What a lovely surprise!! more
immense more
well, come on, they're trying more
Winners of the prestigious award
"The most ridiculous band name ever"
2017 edition.
But they have good chances for the current year as well. more
Impossible to know if they're more drunk or badass. Simply the best Celtic Punk around. more
If you don't have it, it's criminal. more
The album with which the Beatles truly begin to win me over, more mature and showcasing their ever-growing ability to write perfect pop melodies. Here I find a particularly inspired Lennon ("Help!", "You've Got to Hide Your Love Away," and "It's Only Love" standing out, but he doesn't miss a beat on this album) and two stunning contributions from Harrison ("I Need You" especially). And McCartney? McCartney has the two minutes of eternal melodic perfection in "Yesterday" (virtually his first solo effort by the end), throw them away. Not that his other songs are bad, mind you (I love "I Just Seen a Face"). If the album has a downside, it's the Beatles as cover artists, which I don't really love, but even here, their "Dizzy Miss Lizzy" doesn't bother me this time. more
I still haven't figured out if it's a band that makes a difference or if I should put it in the recycling. more
One of the best albums I've had the pleasure of listening to. Don't be fooled by the simplicity of some tracks; listen to it and listen to it again, it might surprise you. Operation: Mindcrime is obviously another story, but it still remains at extremely high levels. more
Can you come out alive from the 80s??...of course you can! more
I purchased this album after listening to Paranoia Blues (a gem from the album), and I was amazed by the beauty of Paul Simon as a solo artist. more
Good band. Sneaky, yes, but with style. Strong melodic sense, more than decent arrangements, and Pau’s voice is quite good: I find it very suitable for the type of (pop) rock they offer. I don’t understand how they can bother so many people. If there’s a band that “doesn’t act all high and mighty,” it’s them. Seeing the Negrita mocked and terrible stuff like le Vibrazioni praised makes me feel as sad as a lion on a diet. Excellent the very latest "Desert Yacht Club." more
Ferry operator of Italian Music towards Progressive. more
Inspired by the beautiful Welsh hills, Page and Plant unleash their most intimate, acoustic, and folk side, which especially bursts forth in the second half of the album (but it starts with the beautiful "Friends"). Given that Led Zeppelin, as creators or interpreters of folk music, have always produced great work, we find four splendid songs one after the other: from their personal rendition of the traditional British "Gallows Pole" (which becomes a wild "dance") to the homage to their Welsh retreat in "Bron-Y-Aur Stomp," passing through two gems like "Tangerine" and "That's the Way." It's also true that the masterpiece of the album remains in the realms of the most intense Blues with the immense "Since I've Been Loving You." The album is also inspired in its electric/hard-rock tracks, where the evergreen "Immigrant Song" reigns. It concludes with a special tribute to a friend and an immense, yet always underappreciated, master, Roy Harper. more
It's certainly not one of the best by the Doors, that's for sure. I've always preferred the Morrison Hotel side (side B) of this album over the Hard Rock Café side (side A); don't get me wrong, side A features the well-known tracks Roadhouse Blues and Peace Frog, while side B definitely contains their most underrated songs, but not for me, I love the jazz of The Spy and Queen Of The Highway and the sweet psychedelia of Indian Summer. more