I hope they won't say anything to me if I only know "Take on Me," which I always listen to and give a 4. more
I will try to be objective, even though his renzifilia makes it difficult for me. I have all his songs in mind and I don’t like half of them. Do you remember when Grillo called him a “scoreggina”…? At that moment, at 9 years old, when everyone adored and worshiped him, I gave a 92-minute applause. more
I've never been able to stand him and his voice; I acknowledge his unique vocal quality, but he has a dullness that feels like an indictment. All his songs are the same! more
Terrifying, perhaps worse than the people who try to imitate their falsettos. more
I don’t mean to offend the Vanni Maceria, but I wouldn’t want to hear it even on the provincial Tuscan radio stations (those who follow Aldo Giovanni e Giacomo will understand). more
Filiberto should be eliminated, Pupo should be tortured, and Canonici knows why he has ended up like this, along with his record label. more
A silly little guy or the Eminem of the very poor? I would lean towards the first option. Some songs are worth it, though... more
Yes, it's the one from "passerotto non andare via," but also that of posters, music boxes, Lake Misurina, Sisto V, etc., etc.
An important album in Baglioni's discography and in Italian pop music. more
Bee Gees or Beatles? more
pure power, disarming cover! more
One day God invented the guitar, gave it to Rory Gallagher, and said: "Go teach it to the world"! more
Not as pretentious as other groups of this caliber, and they also seem like nice guys with their heads on straight. more
the preview of the pop dance masterpieces to come more
A wonderful poker of rock 'n' roll from the seventies and eighties. Right now, they're monstrous dinosaurs disguised as rockstars. But they are and will always be the legendary Stones, the ones from "Time is on my side" and "Tell me." Unforgettable from 1963 to 1985, then no longer that interesting. more
Great singer-songwriter. A voice that is uniquely his. And a compositional ability that is stunning. "Mistero," "Contessa," "Il Mare d'inverno," "Polvere"... immortal. more
A poet whose lyrical composition has nothing to envy Faber, yet I find the sounds and instrumental abilities inferior to many Italian singer-songwriters, first among them Fossati and De Andrè. more
another double LP that wasn't needed.
few noteworthy things amid ridiculous nonsense. more
Some songs are still decent, no doubt about it. Beyond these niches, there are four terrifying kiss-assers, made of plaster and dressed like they’re in their twenties, with the faces of frightening cocaine addicts. more
Thank you for making my sad adolescence something memorable; with or without the Pink Floyd, I will always hold you in high regard. more
Motta is a singer, multi-instrumentalist, and songwriter. He began his artistic career in 2006, at just twenty years old, with the Criminal Jokers, a band from Pisa with which he released two albums, "This was supposed to be the future" (2009) and "Bestie" (2012). During this time, he also gained other significant musical experiences: he put his versatility to good use by collaborating with Nada (playing bass, keyboards, guitar, and backing vocals), Pan del Diavolo (drums), The Zen Circus (sound technician for the "Andate tutti affanculo" tour), and Giovanni Truppi (guitar and keyboards). In 2013, he studied Film Composition at the Centro Sperimentale di Cinematografia in Rome under the artistic direction of Ludovic Bource (Oscar winner in 2012 for the score of The Artist). more