Perfect fusion of the darkness of Mirage and the rhythm of Moondawn. Excellently achieved, yet another masterpiece. more
Perhaps, along with Moondawn, the most complete of Schulze. Unforgettable is the first track. more
Together with Mirage, my favorite. A real addiction, I will soon celebrate 30 years of dependency. more
After years, a return to great heights, predecessor of the magnificent collaboration with Gerrard. A return to the formula of three long tracks and to a style familiar to Klaus. On the threshold of 60 years, a warm welcome back to the master. more
An album that should have been limited to the spectacular final suite. The first three tracks are ugly and uninspired. more
The anteroom of the passage to "simple" music will not be memorable. Beautiful the eponymous suite, in all its parts. more
A rather ugly album, the only save being the opening track (Taurus). more
It opens with another unforgettable hit, To France, and closes with a beautiful track, The Lake. The title track is also lovely, the only song where Barry Palmer's voice makes sense. Everything else is boring (quote), but the album is good overall. more
The worst album by Mike. A failed pop work, no interesting tracks, a complete lack of inspiration. He could have taken a break and spared us such rubbish. more
The fruit of the fury against Virgin yields good results, the best Oldfieldian work of the '80s. more
A highly successful journey into Celtic music with rearrangements of traditional pieces mixed with original compositions. Beautiful and catchy. more
Good album, great arrangements, an attempt to adapt Tubular Bells to new electronic horizons, but only halfway successful. Too far from the original, yet good overall. more
'Overall, from a solo guitar album I expected more, considering Mike's talent with the instrument. Nice but after a while quite monotonous...' more
A re-recording of Tubular Bells (the original) with separate tracks and "renewed" sounds. Good but unnecessary; a remastered version like the one from 2009 would have been more than enough. more
Oldfield's classic work, beautiful and moving. The only flaw is the style too similar to a film score, but no one is perfect. more
I confirm what has already been said before, a record born from a complete crisis of inspiration and nothing more. more
First album in the chillout style that struck Oldfield in the 2000s. A bit predictable in the arrangements, catchy without making an impact. more
First of the two discs, second chill-out experiment. Unlike Tr3s lunas, the style is elegant and the use of vocaloid makes it particularly evocative. more
Second album, undoubtedly worse than the first, with almost trance/techno influences. He could have stopped at the first album and just released "Light," including the few good tracks present here (Surfing, for example). more
Listening to it, you'll be amazed: a rhythm-centered work, sensational the lyrical part in the second piece. more