Placebo -Meds
AJMET
AJMET

Placebo — Meds | DeRank™: 0,00

Very, very beautiful, although maybe not quite up to the level of the previous one. Here the listening experience is more complex, the tracks more experimental, and in the end, it turns out to be somewhat less smooth in certain parts. With Meds, we return to the sound of WYIN, Infra-Red is still elegantly pop-rock. The closing track is stunningly emotional. more
Mike Oldfield -Tubular Bells II
AJMET
AJMET

Mike Oldfield — Tubular Bells II | DeRank™: 0,00

Failed attempt to adapt Tubular Bells to more modern sounds. There are a few highs, but mostly it's an album that doesn't leave a mark. more
Muse -Black Holes & Revelations
AJMET
AJMET

Muse — Black Holes & Revelations | DeRank™: 0,00

Their most commercial album manages to be so with great style and gives us a couple of gems worthy of the two previous masterpieces. We're naturally talking about Assassin and Knights of Cydonia. Invincible reminds of Falling Away With You, while Starlight is their first pop track, but very beautiful. more
Klaus Schulze -Cyborg
AJMET
AJMET

Klaus Schulze — Cyborg | DeRank™: 0,00

I am less attached to it, but together with Irrlicht, it is the most innovative and sought after. more
Franco Battiato -Battiato
AJMET
AJMET

Franco Battiato — Battiato | DeRank™: 0,00

With this work, Battiato definitively steps outside of "musical" norms. The first track is a repetition of chords for about 20 minutes, the second a collage of seemingly random sounds and fragments that almost resemble pieces by Messiaen. Unlistenable, 1. more
Franco Battiato -l'egitto prima delle sabbie
AJMET
If in Juke Box the concept of the second track of the album "Battiato" was evolved, here the idea of the first one is taken up again. Two long sides where the same scale of notes (first) and chord (second) are repeated. Hammering and oppressive, experimental yet (in my opinion) useless. Unlistenable, 3. more
Franco Battiato -il vuoto
AJMET
AJMET

Franco Battiato — il vuoto | DeRank™: 0,00

Enjoyable and listenable disc. Pure pop, with some electro-world influences (title track). Good but nothing more. Nothing new. more
Dave Gahan -Hourglass
AJMET
AJMET

Dave Gahan — Hourglass | DeRank™: 0,00

Magnificent, perhaps better than many works with the group. Gahan shows that if he had given up drugs and contributed more to the band, things would have gone even better. No track feels out of place, everything aligns perfectly. The arrangements by Christian Eigner are spectacular, the electronics dominate majestically. more
Placebo -Without you I'm Nothing
AJMET
AJMET

Placebo — Without you I'm Nothing | DeRank™: 0,00

The first great masterpiece. The darkest album, the most cohesive, the most akin, the unforgettable one. The title track remains to this day their most beautiful and touching piece. Also very beautiful is the famous Pure Morning. more
Mike Oldfield -Crises
AJMET
AJMET

Mike Oldfield — Crises | DeRank™: 0,00

Among Oldfield's pop works, this is undoubtedly the best. The suite is beautiful, Moonlight Shadow is unforgettable, and Foreign Affair is predictable. more
Jean Michel Jarre -Magnetic Fields
AJMET
AJMET

Jean Michel Jarre — Magnetic Fields | DeRank™: 0,00

Inferior to its predecessors for some, simply different in my opinion, it nevertheless fails to touch, in the realm of electronics with rhythms and drums, what the predecessors had touched in melodic music. Still very beautiful. more
Mike Oldfield -Incantations
AJMET
AJMET

Mike Oldfield — Incantations | DeRank™: 0,00

It could have been another 5-stars, but this time, bravely, Oldfield "drags it out too much." Four tracks of about 30 minutes each inevitably end up being boring, but still, compliments for the music and the courage. An album for a few. more
Mike Oldfield -The Songs of Distant Earth
AJMET
One would hardly have expected, after the various pop works, such a great album from Mike. After Tubular Bells, which is from another planet, the best album is Ommadawn, a sublime work with which Oldfield forcefully raises his head again after the messy works like Heaven's Open and TB 2. more
Mike Oldfield -Heaven's Open
AJMET
AJMET

Mike Oldfield — Heaven's Open | DeRank™: -0,96

The worst along with Earth Moving and Tubular Bells II, Oldfield's voice isn't bad but often unsuitable for the pop context (or maybe it would be better to say the other way around). more
Mike Oldfield -Islands
AJMET
AJMET

Mike Oldfield — Islands | DeRank™: 0,00

Another album of highs and lows, excellent The Wind Chimes, beautiful Flying Start and the title track, terrible Magic Touch, a prelude to the crap music of Earth Moving. A lot of smoke and little roast. more
Jean Michel Jarre -Oxygène
AJMET
AJMET

Jean Michel Jarre — Oxygène | DeRank™: 0,00

Indissoluble milestone of electronics, beautiful in its entirety, innovative for its time and style, compared to what electronics of the developing '70s was. Part IV is a hit that sticks in your mind even today. more
Depeche Mode -Sounds Of The Universe
AJMET
Another album branded Gore, which represents an innovation as there is something different from the previous ones. After years of activity, the band still knows how to innovate. It can be classified between Violator and SOFAD. more
Jean Michel Jarre -Les Granges Brûlées
AJMET
A soundtrack probably composed with little effort (practically every track is a reinterpretation of a single theme), at the time Jarre was already engaged in composing what would become a masterpiece. more
Jean Michel Jarre -Zoolook
AJMET
AJMET

Jean Michel Jarre — Zoolook | DeRank™: 0,00

A complete turnaround for Jarre, highly successful and original. From compositions without voices or titles (only divided into parts), here the sampled voices take center stage and for the first time titles of the tracks also appear. The most experimental and original work of JMJ. more
Jean Michel Jarre -Rendez-Vous
AJMET
AJMET

Jean Michel Jarre — Rendez-Vous | DeRank™: 0,00

Almost exclusively composed in honor of the event of the same name (concert in Houston), it results in a beautiful album, with soft and very sad tones (Part IV, another hit, aside) and thus different from the previous ones. For the first time, the entrance of acoustic music in a JMJ composition. more