Roberto Vecchioni -Sogna, ragazzo, sogna
Same speech (and rating) as "El bandolero stanco." more
Bugo -Nessuna scala da salire
I've been running away for a lifetime. One step ahead of New remedies for myopia but it's missing a bit of that swagger that will be found in the next and final Cristian Bugatti. more
No Strange -No Strange
The hidden masterpiece of Italian psychedelia more
Adriano Pappalardo
Thank Battisti rather than mocking him... because without him you were a total nothing. more
In Flames
Until Colony, only great albums. Up to and including Come Clarity, they are a pleasure to listen to. After that, it’s just steaming shit. more
Roberto Vecchioni -El Bandolero Stanco
A step back from the extraordinary album of two years prior, but still beautiful and well crafted. Almost 4.5 more
steve hackett -highly strung
After the artistically unfruitful Brazilian holiday at Hackett in 1982, it was time to start stressing and arguing with Charisma again. The result is this album, released the following year, which went through a troubled gestation and would be the last published under Stratton-Smith's historic label (which at the time I believe was hardly managing much anymore...). "Highly Strung" I like; it's a nice album overall, better not only than "Cured" (thanks ar ca) but for me also better than "Defector," and I don't hesitate to say so. It still partially follows a very pop-oriented path, but much less and more rarely than its predecessor. The sounds, when they're not too cheesy or plastic, are brilliant, lively, and sharp, just like Hackett's guitar, which here shines more than ever. In short, just "Casino Royale" (which will become a classic in Stefano's live sets) overshadows "Cured," and if we want to talk about '80s pop, "Cell 151" with its very poppy and cheeky first part still triumphs over the pop-curedian style. All the more pop-oriented tracks are at the center of the album, and while "Weightless" and "Walkin Through the Walls" are a bit weak (the only ones on the album I don't like), I open the wardrobe and pull out the skeleton: I like "Give it Away," the most bubblegum-pop thing this man has ever done. Everything else is made up of high-quality tracks ("India Rubber Man" is a delight, "Group Therapy" is excellent, and so on). A great album, for me. more
edoardo bennato -le vie del rock sono infinite
Edoardo Bennato & the fair of shit, part 3. The previous two parts were taken from the unspeakable piles of garbage from 1998 and 2003. And let’s remember that this is still the same guy who sang “Io che non sono l'imperatore”… more
Steve Hackett -Cured
Hackett in Brazil (part one). Having exited the "Defector" tour stressed and overdosed on aspirin, Stefanuzzo decides to take refuge with Kim in her homeland, Brazil, and relax nicely for a few months, maybe writing some songs between drinks, a swim, and some lovemaking. And yes, this first Brazilian album of his (no musical influences, it was conceived and written there) isn't great. You can tell it’s the typical ultra-relaxed album of an artist making music during a serene time without putting in too much effort, just casually. Kim was also on vacation, no painting for the cover, just a photo she took of her husband, where Steve's expression reveals the vastness of how little he cared about putting effort into composing at that moment. But this kind of light-light pop doesn't suit him well, and the album is filled with very dull little songs (the nicest is "Hope I Don’t Wake Up," even if it sounds, to put it mildly, reminiscent of Yes, from around the same time, of course). Steve sings it solo (horrible choice), and indeed, the instrumentals save it: "Air-Conditioned Nightmare" is nice and the already typical classical guitar piece ("Cradle of Swans") raises the level of an album among his absolute worst. A couple of tracks could have been better, perhaps, but they weren't; the rest is mediocre pop with horrible backing vocals and sung parts. more
Lucio Battisti
It's unfair! You hate him regardless for those campfire songs like "La canzone del sole," but as soon as you dig deeper, you discover gems like "Anima latina," "Don Giovanni," "Umanamente uomo," "CSAR," "La sposa occidentale," "Una donna per amico," "Il mio canto libero," and you end up loving him like crazy... really Lucio, you're such a bastard... AND PIGNOLO! more
Deep Purple -Whoosh!
Is it possible that it's a great record? I say yesssssss!! more
Ivano Fossati
He who kept Italian singer-songwriter music alive during the challenging nineties. more
De Vet Du
Swedish goliard group with predominantly dance sounds. A non-rock version of the Bloodhound Gang without the possibility of understanding the lyrics. The highest sings, often in falsetto, the lowest raps, the blond one I didn't understand what he does, and DJ Hunk, the one with his shirt off, makes the beats. A lot of attention is also given to the videos, which feature the most famous Swedish raw material. more
Ivano Fossati -Lampo viaggiatore
a step back from the extraordinary "the discipline of the land," but still amazing. quattremmezzo, "there's time," and "the kiss on the mouth" are the masterpieces of the album, without a doubt. more
Lucio Dalla -Lucio
what a crappy one this is too! a somewhat unpleasant "putipù". the rest should be avoided like the plague. more
Franco Battiato
- Good and handsome
- Points of view more
Brunori sas
One who writes good songs, not too modest but also not overly self-important. Ah, all is well at home. more
Edoardo Bennato -Pronti a Salpare
Re-evaluated, nothing particularly shocking but still a "bearable" album. Clearly better than all the other albums of the last thirty years. 6/6.5 more
Queen -Jazz
"Jazz" has three things: "Don't Stop Me Now" (sticky like honey, damn it, a bomb of a pop song that devastates the charts), "Bicycle Race," and "Fat Bottom Girls." Three perfectly spot-on singles. The rest, forgive me, ranges from horrendous to unbearably boring; I can't listen to this album except for those three. Three perfect singles, but the album itself is rather ugly, the first ugly one by Queen. more
Queen -Queen
The beautiful debut of Queen. Kitsch pastiches, hard rock, pop, glam, ballads—a bit of everything—but they were a fun band that knew how to write some great songs, as long as you can digest the mix. And the choirs. Like "Fairy King," how excessively gaudy is "Fairy King" at more than one moment, yet it's beautiful; I like it a lot. That's the way the Queens are—they took from here and there, never truly original but so personal, positively or negatively, you decide, as they are among the most recognizable bands after half a note of any song. Oh, and Mercury's voice, well. I think this album starts with a bang and then drops off over distance, but it’s a solid debut; there are spot-on singles ("Keep Yourself Alive" but they rarely missed with the singles, even in the worst years), tracks that are a bit too cluttered and heavy even for their standards ("Liar"), and one of the absolute coolest songs of the band, "Great King Rat," the standout of this self-titled debut album. But... "Fairy King"... what a marvelous kitsch. more