Humanity will end... No problem, everything gets put into a cube and taken away. End of story. more
Excellent writer, he is also an astrophysicist. Great, Revelation 1&2 and Redemption Ark. 📚x4.5. more
These gentlemen are clearly capable of tearing apart all the new releases currently advertised on this mediocre site, far from just giving three dots. more
No one messes with this record. And those who don't have their good reasons. more
Every word would be superfluous. I only say that the intro to Caffè lontano is one of the most beautiful things birthed by the human mind. more
The spark has been struck. I wait for it to become a fire. more
With a name and hair like that, he can only be a magical harmonica player. more
Okay, a great voice and a handful of excellent songs; however, I have always found them to be vastly overrated. In the '80s, they released dreadful records. more
Before being struck by one of the legendary live performances of King Crimson (especially by Bob Fripp), during the summer months of 1969 (Hyde Park), one of the musical passions of young Hackett—a passion that has never faded—was for Blues and R&B, both rooted and from Chicago as well, but with particular dedication to British white Blues, a hotbed of extraordinary guitarists. So, in a decade where he did a bit of everything, why not make an album to indulge in playing and composing some Blues? And the result is quite pleasant in my opinion. There are some covers, the pieces that are more radically Blues (and what can be said about the energetic one-two opener "Born in Chicago"-"The Stumble," a perfect start) as well as the title track, for example, but most are written by Hackett, who in the more successful songs focuses on a more modern take on Blues and infuses touches of "hackettism" here and there, making it all very personal (and what beautiful pieces "Tombstone Roller" and "Big Dallas Sky" are, as well as a more standard and fun song like "Footloose," which has great energy). Hackett also personally enjoys the harmonica, and he plays it quite well, it seems to me. Of course, it's not a masterpiece of the genre—some tracks, while pleasant, leave little behind; it's not one of the most visceral examples of white Blues—but the passion (and there was no doubt about that with Hackett) is definitely there, and the album comes across as beautiful, alive, and convincing, not a bored exercise in style. more
In the multicolored landscape of independence, one often perceives chromatic and sonic traits that communicate sobriety and recklessness, joy and melancholy, cold and warmth; opposites that unite in a single flow. This group, "Il Grande Omi," I believe no longer exists, produced by the Consorzio Suonatori Indipendenti, which I really like. I invite you to discover it... I think the album dates back to 1997. At that time, the Italian music scene enjoyed a certain vibrancy; now it’s lost in the ocean of the Internet that takes us toward distance, a distance that has lately become fashionable. I highlight this album, not produced by us (Someone will comment: "and you can tell") with great pleasure, and I invite you to listen. Hello gentlemen, de buona de giornata a de tutti...de core il grande omi | il grande omi more
Monicelli pays homage to Luigi Magni and gifts us the last great Albertone. Exceptional performances by Riccardo Billi in the role of Aronne Piperno and above all Paolo Stoppa, who immortalizes the figure of Pope Pius VII. The film nostalgically closes the season of Commedia all’italiana. more
Polistrumentalism charm more
Documentary made during the studio rehearsals and recordings of the "Yield" album by Pearl Jam. A documentary not for everyone, about an album not for everyone, by a band not for everyone. But, guys... Jack Irons on drums, and I've said it all. more
But does this record really deserve a review by @[Trentavoltemegl]? Absolutely#yes more
Nice little album, with some guano from cormorants but also with 2-3 more pleasant, very nice tracks. A duo that on paper looked explosive but produced music that didn't really resonate with me; it was the (brief, thankfully) period when even Hackett had become fixated on AOR. Those more accustomed to these sounds will likely enjoy it; for me, it's a decent little disc to listen to a couple of times. more
An energy that is hard to match for groups that are not AC/DC. more
Exciting guitar duo 🎸x5 more
and instead this is my favorite from good Lucio. the most atypical one, the one that "dare" the most, just consider "la borsa valori." to be taken in small doses (like the previous and the next one), but absolutely to be known... more
a truly horrific album, a classic success delusion (like many recent albums by other contemporaneous "colleagues"). the previous "dalla pelle al cuore" was getting close to being a good album. more
The best Western by Leone and one of the best in the history of Frontier Cinema.
Bronson and Fonda are a bit stereotypical... but Cardinale and Cheyenne (Jason Robards) are two outstanding characters.
For the rest, Sergio Leone takes care of it, who could still outdo many, many... more