Sigur Rós -Ágætis Byrjun
Karter4
Karter4

Sigur Rós — Ágætis Byrjun | DeRank™: 0,39

Sometimes words are not enough to describe this epic and millennial work; you just need to put the record on and listen to "Viðrar Vel Til Loftárása." more
Whitesnake -Whitesnake 1987
Karter4
Karter4

Whitesnake — Whitesnake 1987 | DeRank™: 0,00

A beautiful and refined 80s hard rock, I could listen to it forever. more
Chromatics
GustavoTanz
GustavoTanz

Chromatics | DeRank™: 1,48

Night lights, neon, reminiscent of Kraftwerk, taking turns to the rhythm of post-punk and ethereal melodies. Wonder. more
KTU
Marco Salzano
Marco Salzano

KTU | DeRank™: 0,00

Alchemical fusion of the dynamic duo Gunn - Mastellotto (TU) with the Finns Kluster, born from the further fractalization of a Crimsonian project. Long, vibrating echoes from the deep create states of tribal trance induced by the shamanic warblings of Pohjonen and his protean accordion, weaving through the industrial soundscapes of Mastellotto and Gunn with the warr guitar. It’s a pity that Fripp didn't follow them in this sort of hypnotic post-industrial shamanism. more
KTU -8 Armed Monkey
Marco Salzano
Marco Salzano

KTU — 8 Armed Monkey | DeRank™: 0,00

First and best album by KTU, an alchemical fusion of the dynamic duo Gunn - Mastellotto (TU) with the Finns Kluster (Pohjonen and Kosminen) born from the further fractalization of a crimsonian Project. Long, vibrant echoes from the deep, driven by the most extreme improvisation. States of tribal trance induced by Pohjonen's shamanic vocalizations and his protean accordion weaving through the industrial soundscapes of Mastellotto and Gunn (warr guitar in Absinthe). more
Nirvana
Mr. Money87
Mr. Money87

Nirvana | DeRank™: -4,09

Still with these Nirvana? Come on... A band for pimple-faced 14-year-olds (me included back then). Then, luckily, the pimples go away and you realize they're nothing more than a little group at the edge of decency made immortal by the death of their frontman. more
Nirvana
TrezzodHaddaway
TrezzodHaddaway

Nirvana | DeRank™: -3,89

poor and copycats (in an embarrassing way): Killing Joke - Eighties How.. as you are.. as you were.. as I want..
 more
Method Man -Blackout!
Beddoggo
Beddoggo

Method Man — Blackout! | DeRank™: 0,00

Old School Hip Hop more
Laura Pausini
elv
elv

Laura Pausini | DeRank™: 0,00

We're waiting for her "first time"... more
Robbie Robertson
Lao Tze
Lao Tze

Robbie Robertson | DeRank™: -0,27

...and among other things, while criticizing "Abbey Road," this person said that "I Want You/She's So Heavy" by Lennon was a "loud piece of crap." For heaven's sake, as a musician you have been and still are great, but if in your life you spouted less bullshit you might have looked better. more
Oliver Nelson -The Blues And The Abstract Truth
Mr. Money87
Wonderful album and it couldn't be any other way with a lineup like that. more
Tom Waits
Lao Tze
Lao Tze

Tom Waits | DeRank™: 0,00

"Small Change" aside, I find the period until '83 rather uninteresting; it's after that when the best comes. And for at least a decade, we have masterpieces. Recently, it's been so-so. An immense voice but a very fluctuating career. Also a decent actor, by the way. more
Chuck Norris
ocram
ocram

Chuck Norris | DeRank™: 0,00

Chuck Norris never makes mistakes... And even when he does, he doesn't... It's the truth that is wrong! more
Nick Cave
ZannaB
ZannaB

Nick Cave | DeRank™: 1,73

This man is not to be listened to, he is to be loved!!! more
Gianna Nannini
parapoziponzipo
parapoziponzipo

Gianna Nannini | DeRank™: 0,00

but is he still gay? more
Gianna Nannini
Cunnuemammadua
Cunnuemammadua

Gianna Nannini | DeRank™: 0,00

2 for california more
Nick Cave
Lao Tze
Lao Tze

Nick Cave | DeRank™: -1,03

From the times when he was the most sickly embodiment of the Blues itself to the duets with Kylie Minogue, up to his appearances in a tuxedo on the red carpet in Cannes, this man's decline has been terrifying. To me, he remains what he was until '96. After that, only a few things truly worthy of the Ink King. "The Firstborn Is Dead" reigns forever. more
Nirvana
Mr.Black
Mr.Black

Nirvana | DeRank™: 0,00

A good band but overestimated (50% of the credit goes to a bullet) the only song I listen to often is "Smells Like Teen Spirit," after a while the others just get on my nerves, like AC/DC, good but harmless. more
The Police -Synchronicity
Marco Salzano
Marco Salzano

The Police — Synchronicity | DeRank™: 0,00

Sequencers and synths dominate, much of the rough initial energy is lost (but the two Synchronicity tracks still have an insane drive) and Sting takes center stage, leaving the others to fight over the scraps (the icy Miss Gradenko from Copeland and the crimsonian Mother from Summers), but the album is a grand farewell with the legendary Jungian diptych, the animistic King of Pain, the retro Every Breath..., the subtle perversion of Wrapped Around..., and the refined exoticism of Tea in the Sahara. more
The Clash -Combat Rock
Marco Salzano
Marco Salzano

The Clash — Combat Rock | DeRank™: 0,00

Reduced from a double to a more marketable single (double platinum in the beloved/hated USA), it’s like a condensed version of Sandinista: the same melting pot of garage/hip hop/reggae and much more; more Meta than Combat Rock. As usual, Strummer is the most engaged (Know Your Rights, Ghetto Defendant – featuring a cavernous Ginsberg), but the hits belong to Jones (Should I Stay or Should I Go) and Headon (Rock The Casbah). Straight to Hell, Car Jamming, and the farewell step Death is a Star deserve recognition. more