Peter Gabriel
Lord, here comes the flood, we will say goodbye to flesh and bone!

My favorite artist, simply brilliant, a sacred monster of music, in every sense. Prog, pop, ethnic, classical! He is everything! He is God! Unreachable! Divine of Genesis, the Archangel will never die! 5 is reductive!!! My simple comment does not do justice to the artist! I have no words to describe the true and genius nature of Peter! The best vocalist in the history of rock. Still too reductive! more
John Lennon
Genius with the Beatles, genius alone! A genius, poet, and songwriter, burned out too soon; when he died, he left a rich legacy to the world, his wonderful poetry was, is, and will be, it will never die! Imagine is the symbol of more than a generation, an anthem! Of course, it’s not the best! It was overrated with Imagine, but genius he was and genius he is, and he has left his mark on historic, indispensable albums. His voice was one of the most beautiful of our time! Rest in peace, John! more
Jim Morrison
A complicated man, with various faces, has never belonged to a party; he rejected the system, he was unfathomable. An artist with square balls, drug or not, was fucking great, a genius of psychedelic rock n' roll. He created masterpieces! He had a very warm, primitive, direct voice! He was as crazy as his music, but his brilliance must be acknowledged! A contemporary poet, misunderstood, marginalized, and subjected to prejudice. A genius remains! more
Bruce Springsteen
Sacred monster of rock n' roll, intelligent, with an aggressive and sweet voice at the same time, lungs burning when he screams at concerts, sweating liters, an ever-present guitar in his arms on which he plays with hits and strokes without any shame, without fear, with fingers from hands full of calluses. Genuine and straightforward rock n' roll! Rock anthems we will never forget! One of those showmen destined to remain immortal! A sacred monster of rock! Immortal! To anyone who doesn't like it, I say: fuck you! more
Metallica
But is it possible that no one reviews them? more
Metal
Liturgy more
Metal
It pisses me off to know that every metal listener has to become a musician sooner or later (and I’m the only exception) but for the rest, it remains proletarian music in contrast to the bourgeois cesspool represented by indie and post-rock. more
BOH
I always tell the truth, sometimes. more
Davide Van De Sfroos
"How much better the Lake district has managed to create musically"??? I believe it, he’s the only one making listenable music here! Or even just decent music... Always around 5000 or more listeners, huh. I like it even if I don’t understand a thing. The laghèe is a language on its own, incomprehensible even to me who lives here. more
Bluvertigo
Italian pure alternative more
Metallica
Three albums and nothingness. more
Genesis -Three Sides Live
Although the setlist cannot be compared to those of “Genesis Live” and especially “Seconds Out”, the album stands out mainly for the grandiose technique that has never wavered among the musicians over the years. more
Genesis -From Genesis To Revelation
A kind of concept album on the Old Testament (from which the group's name will be derived) with a classical tone, strongly self-produced and at times cloying, although cloaked in a strong vein of innocence and naivety. Pleasant all in all. more
Genesis -Nursery Cryme
Second progressive stone that continues the journey of their symphonic and romantic masterpieces, a sequence that will end in the distant 1977. The Genesis with "Nursery Cryme" achieve a strong musical harmony, and their qualities as excellent musicians are already evident: just think of the cutting guitar incursions of Steve Hackett, the crazy rhythms of Phil Collins behind the drums, or the keyboard minimalism of Tony Banks, the true pillar of the band. more
Metal
Some of the best things of the last 30 years come from here. Not that the worst haven't taken the same path, but the vote goes to the former. more
Genesis -Selling England By The Pound
In its entirety and in its sound delivery, “Selling England by the Pound” is the symbol of a generation, of a musical movement, of the whole seventies imagery regardless of its outstanding content. The seventies, after the incursion of new genres like punk rock and the paranoid New Wave, will never reach these heights again. It is therefore permissible to think of this album as the ultimate milestone. more
Genesis -Invisible Touch
If "Abacab" featured acceptable ideas and "Genesis" showcased an entire side played excellently, in The Invisible Touch, almost nothing is salvaged: it's a dull, murky, cacophonically terrible album. more
Genesis -Genesis
“Genesis” is an album that shows a significant creative and qualitative gap between the first and second side, with an abyssal compositional distance. Despite this, the record (like the two previous ones) sells in an outrageous manner: the band is now the queen of the obvious Top Ten melody, of the soulless and empty music typical of this decade. more
Genesis -Abacab
The definitive dive of Genesis into the squalid mainstream music typical of the eighties, coated with polyphonic keyboards, filtered drums, and electronic basses. The horrid cover is enough to justify it: where are the foxes, the music boxes, the little critters from the tail trick? They are now something of the past, anachronistic for those times. more
Genesis -Duke
Probably the last valid major testimony in the pop realm for our generation. Long detached from progressive sounds, the album is much more compact and polished in its pop-rock boldness. The latest jewel from Genesis that stands out with mid-high standards; the genre is pop, but it's never trivial or predictable: it's classy pop. more