Musically speaking, not the top of the top, but it remains a beautiful album of space-drug-temporal images. more
A brilliant piece of shit. more
they fucked up too early. more
Since the 1960s, the true author of many of the best records ever. more
NO more
Uncoverer of his soul. more
If he hadn't been black, he would have been much more disliked by those who exalt him and far less disliked by those who hate him. more
Raucous drunks, the second singer definitely better than the first. more
"I'm a dangerous dangerous man with dangerous dangerous weapons" (.cit) more
The only Person who can afford to criticize me. But if They did, They would be wrong. more
I don't mind, I don't regret it, I gave my life to Jesus. more
The answer to most of the questions you ask me! more
One of my favorites, though not the most beautiful, not even from his ‘70s phase characterized by sentimentality in the smokiest nightclubs of the city (that one is "Blue Valentine"). Hearing him sing again with a normal voice is almost unsettling, to be honest, but it already contains his first masterpieces: "I Hope That I Don't Fall in Love With You" comes to mind, the poignant "Martha," and the closing title track, which truly evokes the scene of a bar about to close, the mess left by the customers. more
"Listen to these idiots who praise my ridiculous bullshit." more
I prefer Virgin Mariah. more
I prefer the Smurf who sings off-key. more
2Pall more
owes a lot to Gene Krupa more
The highest peak of Tull, half an inch above the previous one: inspired and harsh critique of contemporary progressive groups. There’s not a single wrong note, not a second out of place. Masterpiece. more
An acoustic gem with a folk influence, complemented by a few more aggressive outbursts. The cover of "Boureé" by Bach is splendid. We can identify it as the dress rehearsal for the masterpiece "Aqualung." more