In super-mega-ultra-hyper-fuck deluxe edition! more
I should listen to it more times, I still can't love it enough. more
Wonderful more
3.5/4. Good comedy with the usual Hepburn guarantee. more
Just for "La Villa Strangiato," it deserves a front-row seat among the historic records of prog. more
The Deftones never disappoint. One love for Chi Cheng! more
The best of the Hogarth era, right after Brave. more
Anarcoids..not DeFinable! more
Apart from "The Little Devil," as a director he doesn't amount to anything. more
Nice English band active since '65, distorted sound, simple yet catchy choruses, they're enjoyable to listen to. more
South Africans who managed to poorly cover both Black Sabbath and Deep Purple and Donovan on the same album. What a load of crap. more
Zappa before Zappa, but angrier and crazier. Holy shit people, it's the Fugs! more
The dumbest and at the same time the most difficult band of all time. You can only love them. more
After an album like "Here Are The Sonics!!!," all the other garage bands sounded to the ear more or less like the Santo California, or at best like the Cugini Di Campagna. more
A Scottish hippie wandering between pop and rock, undeniably brilliant, extroverted, sweet, sensitive, he’s not Dylan; at best, he’s Dylan on dextromethorphan hallucinations. Excuse the understatement. more
Fire on stage, in the music, in the lyrics, but above all in the balls. If there's a God to worship only when drunk, that is Arthur Brown. more
For Roy Wood, they were the last step towards the ELO, for English music one of the most eclectic and polymorphic bands of the late '60s. more
One of the most overlooked and fascinating ensembles of early English prog. Brilliant, unique, rare. more
A loser, a featherweight Californian kid who can't play a damn guitar decently. In two words: the Last Rocker. more
I mean: Twelve Angry Men (1957) (The Word to the Jurors) more