The Fugs
Zappa before Zappa, but angrier and crazier. Holy shit people, it's the Fugs! more
The Godz
The dumbest and at the same time the most difficult band of all time. You can only love them. more
The Sonics
After an album like "Here Are The Sonics!!!," all the other garage bands sounded to the ear more or less like the Santo California, or at best like the Cugini Di Campagna. more
Donovan
A Scottish hippie wandering between pop and rock, undeniably brilliant, extroverted, sweet, sensitive, he’s not Dylan; at best, he’s Dylan on dextromethorphan hallucinations. Excuse the understatement. more
Arthur Brown
Fire on stage, in the music, in the lyrics, but above all in the balls. If there's a God to worship only when drunk, that is Arthur Brown. more
The Move
For Roy Wood, they were the last step towards the ELO, for English music one of the most eclectic and polymorphic bands of the late '60s. more
Rare Bird
One of the most overlooked and fascinating ensembles of early English prog. Brilliant, unique, rare. more
Ty Segall
A loser, a featherweight Californian kid who can't play a damn guitar decently. In two words: the Last Rocker. more
Sidney Lumet -La Parola Ai Giurati
I mean: Twelve Angry Men (1957) (The Word to the Jurors) more
Kansas -Leftoverture
The first American prog album to enter the Billboard Top Ten, and rightly so: there isn't a single piece out of place, technique, inventiveness, and passion illuminating the individual performances, Steve Walsh's vocal range, an example for a myriad of colleagues, and the magical touch of Robbie Steinhardt's violin giving it its trademark sound. When I think of The Wall, only this album comes to mind. more
The Dream Syndicate -Medicine Show
Well, here I even have the cover of "Wine & Roses" showing up, and whatever... anyway: if this isn’t a solid 5, I don’t know what is. "John Coltrane SB" in the legend of American rock, and the rest of the album follows suit—starting with the super acid (and rocky) shuffle of the title track. Steve Wynn at the peak of his songwriting, already hinting at his talent as a songwriter. Can we ignore it? Never. more
Bill Hicks
The Last Prophet more
Kip Hanrahan -Vertical's Currency
Different from the debut but equally perfect. Classy pop jazz halfway between salsa, samba, and Afro-Cuban, an inspired crossover more focused on the song model and less on the jam. Not a single flaw, goosebumps galore. 10 out of 10. more
Culture Club
"The most honest form of plagiarism in pop music, with no pretension of originality" (B.G.). But aside from everything, I've always wondered how a musically mediocre figure, by his own admission, could have conceived a piece like "Victims," which is worthy of the best Style Council. more
Carlo Verdone -Bianco, Rosso e Verdone
I prefer "Cursed be the day I met you". more
Luis Bunuel -Il Fascino Discreto Della Borghesia
I prefer: That Obscure Object of Desire more
John Lennon
Forget about God; Lennon performed miracles and he really existed. more
The Beatles
The best band ever, in my opinion. The emotions they reveal, the story they've written, the melodies I keep listening to and that will never tire me, will stay forever. more