Great album with quite a few instrumental tracks. For me, it's better than the much-praised "Play." more
The singles and not much else. I expected more. Anyway, it deserves a solid passing grade. more
[Against the Laws of Physics](https://en.debaser.it/main/definizione_artista.aspx?idC=32716
 more
...How these managed to open for Mudhoney is a glorious mystery to me... more
The debut and then nothing more. more
The first time he was kicked in the ass by the (inferior) Stone Temple Toilets coincided with the release of the only well-crafted thing our guy ever managed to produce during his career. In between one Bowie imitation and another, 12 well-made tracks. The rating would be a 3.8. more
Unforgettable keyboardist (and artist). A cliché definition, but it’s what I can say now.
Hello Ray. And thank you. more
“…you know, the first time I went to see them live, many years ago, they were still at the beginning, and everyone in the scene was saying great things about them. I didn’t even know a single song, but it took just a few minutes of the show for me to understand that those guys had talent, charisma, and a desire to stand out. A few days later, I met their manager and told him to hold on tight to them because they would go far.” - Pete Townshend, from "the observer historical interviews, 1988" more
Some call them "the American response to the Beatles"... Well, as a response, that's one hell of a winning shot!! more
The soft underbelly of progressive more
And to think I used to think they were crap… there's always time to make amends in life. Except with the Queen. more
The Industrial is born here more
nothing to say more
Spectacular start, then it drags more tiredly in the second half... furious rhythms, guitars with few ideas but many clumps, repetitively furious vocals, too long but it doesn't give a moment's respite... the hell of mud more
The music I've always wished existed more
Extreme metal is born and dies with Reign in Blood. more
The artist par excellence more
A group that enjoyed some success in the 70s but failed to make a lasting impression; in fact, their musical output was limited to capitalizing on the cultural and media earthquake triggered by Led Zeppelin (like many other bands of the time), recycling the latter's Hard Rock and peppering it with pseudo-progressive mannerisms. However, this does not take away from the fact that Demon's and Wizard and The Magician's Birthday are good albums. more