She was truly beautiful. more
Hello everyone, I'm new to this site, where I've browsed here and there to see what it contained. My musical interests mainly revolve around the '60s, '70s, and early '80s (I'm 73 years old....) but I don't shy away from something more contemporary (The War On Drugs, Laura Veirs,....) and I've always followed music in its various genres. Frankly, I was quite surprised not to find a review of Moving Hearts and their first album, which is self-titled and beautiful. Yet their leader (at least in the first of only 5 albums released) is a certain Christy Moore, already in Planxty, and well-known in the Irish folk circuit close to political and social themes. more
I've never been particularly impressed, even though The Queen Is Dead and the self-titled album are objectively really good records. more
When I listen to Rovazzi, I feel like invading Poland. more
Unleash in me an uncontrollable killer instinct. more
The Fallopian Tubes, also known as salpinges (from the Greek σαλπίγξ meaning trumpet, tuba, alluding to their shape), uterine tubes, or oviducts, are two equal and symmetrical tubular organs that connect the ovary to the uterine cavity. The Tubes are named after their discoverer Gabriele Falloppio (Modena, around 1523 – Padua, October 9, 1562), a significant anatomist, botanist, physician, and naturalist active in Padua and the author of the weighty anatomical work "Observationes anatomicae," published in Venice in 1561 by the renowned printer Aldo Manuzio; as well as other important works for the development of the Padua anatomophysiological school such as "Secreti diversi et miracolosi ne' quali si mostra la via facile di risanare le infirmità del corpo humano," "De medicatis aquis atque de fossilibus," "De morbo gallico," and "De ulceribus," all published in Venice by the same publisher. more
Higher level progressive metal. more
Murmur is a truly memorable debut album (previous EP aside) and despite a career rich in great records at least up until 1996, it ultimately stands at least on some step of the podium of their best works. Which step I cannot ascertain nor am I particularly interested in determining precisely, but it's a beautiful record. They are children of the Byrds and Jingle-Jangle, updating that sound for the '80s by filtering it through New Wave, focusing on those wonderful acoustic guitar frameworks that dominate and support the entire album, and managing to develop an excellent personal style, entirely their own, especially in the melodies that, starting from this album, become a trademark that has made them one of the most immediately recognizable bands ever. On "Murmur," all the songs, the melodies, Stipe's vocal harmonies, the guitar arpeggios create a wonderfully delicate Janglism from Buck and the others, whispered (indeed), played on tiptoe, almost as if they never wanted to disturb the listener too much. Even in the slightly more upbeat tracks, there’s this feeling. There are only beautiful songs here, particularly phenomenal are "Pilgrimage," the sublime melody of "Perfect Circle," the jangle manifesto "Shaking Through," and also the more "nervous" "Sitting Still" and another phenomenal pop-jangle like "Talk About the Passion," but everyone will have their favorites. more
I'm sorry, but I cannot access external links. If you provide the text directly, I'll be happy to help with the translation. more
Well like Faust'O and like Fausto Rossi. Alongside Garbo, the best of the new wave, and under his real name, the best of the niche alongside Flavio Giurato. more
Screw music! more
I owe a lot to this group, as they introduced me to music in the truest sense of the word... The first two albums are nothing short of masterpieces! more
Here they are, the Punk Floyd, the best punk rock band in history! more
Immense more
Here for me are two masterpieces: "Lazy" above all, where even just the electric shock in the intro of Lord's Hammond makes the whole album worth it, and it's generally a great display of the band's talent. Then there's "Space Truckin'," another of their impeccable and immensely fun hard rock tracks, spiced up by the vocal screams of the original Jesus Christ Superstar. As for the rest, I still like it less than various other albums of theirs; somehow, despite being beautiful, I find it flatter and less imaginative than their other records (from Mark II or I or III). Oh, don't get me wrong, it's their greatest collection of evergreens, right? (from Highway to Smoke, which may have become overexposed but was and remains a great rock song) and there are also some so-called minor songs that I appreciate quite a bit ("Pictures of Home"), but in my taste, it doesn't hold up to the two previous ones, sticking to the lineup with Gillan. Here they also focus on the classic ballad with "When a Blind Man Cries" (which was missing, for example, on "Fireball," which wasn't lacking in moments of splendid melodic lyricism), which is the best example of my overall consideration of the album: it's beautiful, seriously, a beautiful song, but it lacks that spark, that glimmer, that something, to make me truly love it, which it isn't. more
The Acoustics' Boss (2.75/5) by Monghidoro more
No one sings like you anymore more
They’ve pissed me off. more
Contemporary more
When I was in middle school and high school, I used to take them very often. more