Francesco Guccini
And I, puppeteer of words, why do I get lost behind a first sun? Why does this absurd nostalgia take hold of me? more
The Black Keys
extraordinary more
Damon & Naomi -Damon & Naomi With Ghost
The two former Galaxie 500 kick off the new millennium with one of the most beautiful albums of the decade that was just about to begin, accompanied not by just any band, but by the colossal shamans of Japanese psychedelia, Ghost. A blend of dreamy folk rock, progressive electroacoustic weavings, and lysergic bursts. A must-have. more
fleetwood mac -then play on
Immense masterpiece. Peter "Merlin the Magician" Green, may you always be praised. more
Fleetwood Mac
The first two albums are brilliant works of Rock-Blues. The third album, "Then Play On," is the absolute masterpiece. After that, without the genius of Peter Green in songwriting and guitar, the decline began; with the arrival of Lindsey Buckincul and Nicks, it was goodbye, farewell, and goodnight to everyone. However, during those just under three years with Green (1968 - early 1970), Mick Fleetwood and John McVie’s band accomplished extraordinary things. more
Carlo Verdone
Carlo Merdone more
Mogol
MoNgol more
Giorgio Gaber
But I am not yet in the kingdom of heaven, I am too entangled in your messes... more
Free -Tons Of Sobs
Debut from 1968 for the English band, good songs but not yet at the level of the later albums. Still a great listen... more
Dickey Betts and Great Southern -Atlanta's Burning Down
One of the most beautiful frontman albums by (at the time) the former member of the Allman Brothers. The scent of deep American South, a wonderful guitarist... more
Mountain -Twin Peaks
The most beautiful work, in my opinion, by the band of West and Pappalardi. All great songs, but above all, the magnificent "Theme For An Imaginary Western," written by the friend Jack Bruce and Pete Brown... more
Jeff Beck
Very good at spanning genres. Not just rock. A couple of fusion albums that deserve to be addressed formally. more
Emmylou Harris
Beautiful voice, great performer and especially in the '70s a stunning woman, she was on par with Slick and Ronstadt... more
Family -Fearless
Another very beautiful album for Family, the last one really at high levels, the first with John Wetton on bass, a musician with square balls on four strings. Then if your name is Chapman, you can even afford the luxury of having Wetton as a backing vocalist. "Spanish Tide" and "Burning Bridges" are among my favorite songs by Family, especially the former, with Wetton carving out a fragment as the lead voice and then singing duets and intertwining with Chappo. Spine-chilling. more
Roberto Vecchioni
a boring fucking drunk who has always wanted to be the big shot but no one ever gave a shit about him. finally, in his old age, he won SANREMO with a whiny old-fashioned Italian song just like him. more
Mayo Thompson -Corky's Debt to His Father
Work from 1970 by Mayo Thompson of the Red Krayola. Beautiful album. Between Americana, Country Rock/Folk, and lysergic emanations. more
Rino Gaetano
If you take away the dog, excluding the dog, all that's left is absurd people, with their easy solutions... great RINO... more
Nouvelle Vague
VERY pleasant, there isn't a single album of theirs that has come out poorly... yes, it's true that not all doughnuts come with a hole (specifically: not ALL of New Wave lends itself to covers), but that's part of the game... more
Rino Gaetano
Great personality, great charisma, an innovator in lyrics, music, and expressiveness, but I never liked him, not even when he was alive. more
Tricky -Nearly God
Even darker and more claustrophobic, Tricky, in this second work under the pseudonym Nearly God, year 1996. Much lower fidelity compared to "Maxinquaye," with elongated, paranoid, drugged atmospheres. The second masterpiece of the (once) genius from Bristol. The cover of "Tattoo" by Siouxsie & The Banshees that opens the album has haunted me for years... morbid like few others. more