If those two puppets without any talent or purpose had been caught by that genius of evil, Malcolm McLaren, back in the day, he would have at least turned them into his personal response to Hall & Oates... or maybe we would remember them (or perhaps not) for something other than... well, let's move on. more
It's clear that the vote doesn't go to that EMBARRASSING THING that appears in the video of "Neve al sole" and other similar ones, but to its incarnation from a previous life. more
Incredible album with AMAZING guitar solos. more
"Aenima," released in 1996, and "Lateralus," published five years later, are enough for me to give five stars; and the wait for their new work is literally consuming me...THE GRUDGE... more
Year of Our Lord 1994: in my opinion, the North Carolina band reaches its compositional zenith with an album that is nothing short of sublime. The powerful sonic magma contained within encompasses all those specific characteristics of a sound that moves between Sabbathian references of hard rock, heavy-stoner echoes, and does not forget their hardcore past. "Albatross," "Clean My Wounds," and the brief and lightning-fast "My Grain" stand tall as the furious peak of a memorable album...CONCRETE... more
"If you had a bit of land back then, they would come and steal even your olives." (self-quote) more
Not much. more
Oh my God, what is this crap? Tool? Are there actually people who listen to them? Come on, tell me this is a joke or a bad dream... more
Getting into prog, electronic, experimental, post, indie stuff has almost become normal for alternative minds (of which I proudly count myself a part too)... But if someone can truly appreciate the sound of Popol Vuh at the border of the mystical, the sacred, and the meditative, it means they are really open-minded!!! more
Year 1982. A cornerstone of New Wave/Postpunk/Goth, whatever you want to call it. One of those albums I would take with me to the afterlife. Sublime despair... more
A straightforward pop album, inferior to its predecessor, which was already far below the records from '67 to '73. The title track is nice, but nothing more. Not essential. more
Empros makes me a bit crazy. more
Sometimes a band succeeds because the singer is attractive, charismatic, and rebellious, even if there's little substance in the end. The Doors are absolutely not this case. Essential. more
Bought unseen as soon as it came out, I liked the cover. Love at first sight. Epic. more
One of the most beautiful things from that period, in my humble opinion... it struck me a lot and personally, besides being one of my favorite works (cornell-vedder together...cum..) it's one of those CDs that I can listen to without ever getting bored from the first track to the last... being a fan of the genre, I obviously give it a 5... anthem for those who love grunge... immense... more
Brutal masterpiece. more
The most "experimental" album by the Cannibals.
A masterpiece of the Fisher era alongside "Vile." more
The first album has 2 or 3 good tracks, but the rest of their production seems really subpar to me. The guitarist and singer are fantastic (in the sense that I’d scream at them in every color). more
Wonderful, whimsical, and moving like a Paradise of lively and hungry children. Mahler narrows the orchestra for once and relies for the last time on the collection of songs from the wonderful horn of the child. What emerges is a MASTERPIECE of humor, grace, and infinite melancholy. more