It's December 14, 1979: the Clash anticipate the 1980s by a few days, releasing a Work of Art, an album that is not only epochal. From the cover image, one can sense the precise barricade direction that the double vinyl will take, with a limitless sound research that leaves one amazed by its musical grandeur. It starts with the auditory earthquake of "London Calling," moving through the dark and nocturnal "The Guns of Brixton," driven by Paul Simonon's bass...FROM HERE TO ETERNITY
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