A handful of beautiful albums (Ghost in the Machine and Reggatta de Blanc remain my favorites) and an avalanche of memorable tracks. Great musicians. I can't settle for less than 5. more
A master of storytelling to whom I will be devoted until I kick the bucket. more
Katanga more
99 Posse that Posse the good time when you let loose more
Listening to it again, I realize that as an album it barely works. It jumps around too much in quality, going from substantial tracks like Mi persi or Sulle rive dell'Arrone to really trivial stuff like Che bella faccia (a critique of the sterile and uninteresting berlusca) and in between, there are nice, cheerful songs that don't stick with you. It's quite strange for a Silvestri album; even the less interesting tracks usually leave an impression. A solid 5; I recommend listening to only the singles released, it's really not worth taking an hour out of your time to listen to this album. more
The spy that Rai was overpaying. more
Dead from pussy more
Rubentus et Dopandus more
Terrible more
That "so then kill us all" still sends shivers down the spine. more
The International Milano, pulled out of the sewers by Ei Fu Guitto Rossi more
Incredible how the Minutemen managed to sound so complete, so full, while being simultaneously ferocious, sharp, sarcastic, and even "refined," musically stimulating, all within songs lasting between 40 and 70 seconds. This second EP is the epitome of urgency, featuring 3 fragments of Hardcore-Post-Punk for a total duration of 3 minutes, and in these three bursts of song, there's EVERYTHING. Everything that needs to be there, including the musicians' technical ability, in communion with the communicative urgency of Punk-Hardcore, the scathing lyrics, and the (also very "post" punky) dissonant vocals of Boon. "Black Sheep" contains everything in one minute. Perfect, full, plump. Yet it ends before you even realize it started. Mike Watt and George Hurley, however, are a rhythm section that will leave you in tears and pulling your hair out, my favorite of the '80s, personally speaking, of course. What a band. more
It is still a masterpiece. When I listened to Aquila again, I almost cried. more
My story with this album is still complex today: two years ago I went from considering it decent to re-listening and seeing how much it actually had to offer. Today... it remains a beautiful album. Pecorella and Noi come voi still sit heavily on my stomach, especially Pecorella, but the rest is very valid. I’ve already wasted enough words on the title track; you all know it’s fantastic. Solo ripped my soul apart, and I wasn’t expecting that. L’altra parte del mondo is very nice, as is Camion. Yes, beautiful album. more
He is the one who brought into the world my favorite movie of all time and one of the best films about World War II. Takahata was a precious figure for world cinema, and I will keep saying it until I kick the bucket. more
Along with Nursery Cryme, Selling England and Trespass... in my opinion, they are the best albums by Genesis... but if I have to choose one: FOXTROT... Supper's Ready makes the difference. more
A masterpiece of progressive rock, every time I listen to it, it feels like I’ve never heard it before. Incredible. more