Texts like blades that cut through raw flesh more
Not even a definition for this plump, but what do I say, pachydermic living legend?? Mmmhhh, this site seems "overrated" to me then. more
TOYS! TOYS! TOYS! IN THE ATTIC!!! more
I've just met him and he's already entered my personal Olympus of punk blues. more
wonder of wonders... real Rock here dudes! more
"How can we compete, with our small dreams, in this world of foolish and affected women...?". A Pop that couldn't be further from the yuppie spirit of 1985. I love it even more for that. more
I have always loved these two, and I continue to consider them among the best things of the '80s. And for "Eden" (but not just that), we can talk about a masterpiece, no doubt about it. more
These guys would be a 4, but I give them a 5 because the whole thing started in a culturally barren country for their music. EPTADOOOONE!!! more
If I were black, I would hate it, but fortunately... more
Third album and third hit for the band; the sounds become harder, more metallic, but the musical variety and enormous class remain. Led by Corey’s soulful voice and especially Vernon’s guitar, not to mention the powerful funk-hard rhythmic section, the album opens with the aggressive and compact "Go Away"; moving through the brief wild shard of "Auslander," and finally arriving at the stunning hardcore-thrash of "This Little Pig"... CROSSOVER FROM POLE POSITION... more
"Bionic" guitarist; a variety of sounds, technique to spare, controlled power. An acid Hendrix who has drunk from the sacred fountain of the Funkadelic...FANTASY... more
acronym for cash rules everything around me... "Driving in my car, smoking my cigar, the only time I'm happy's when I play my guitar" and then a scream of pleasure... `na crema. more
just one of his riffs is enough to obliterate the discography of your favorite band! more
what the hell could be said about these divine entities more
a genius regardless, ever since he was a kid. from IV drip more
An original band, led by a great talent (Mark Sandman), who in his sadly very brief career never compromised. The trio formed by "Good" - "Cure for Pain" - "Yes" is probably one of the peaks of rock music in the '90s. more
They have made rock "adult" like fewothers. They deserve more than these 5 measly "dots" from me: "Pawn Hearts" is a monument of rock altogether (with a suite that, on first listen, may seem somewhat disjointed but is astonishing for its modernity and genius) and we must not forget at least another 4/5 superb albums, the theatrical and versatile voice of Hammill, and the virtuosity of Jackson that is never just for the sake of it. Giants! more
These days, it's more fashionable to say that something is crap than anything else. That doesn't change the fact that it is a sentient shit. more
Extremely violent and anguished vocals; tearing, obsessive music, with a sense of saturation and nausea. In the distance, the shadow of Slayer appears with slowed-down, exhausting tempos... Gomorrah's Season Ends... more
After two albums under his name, still accompanied by talented musicians, Bob formally returns to the trio "armed" in the vein of Husker Du; David Barbe on bass and Malcolm Travis on drums are his loyal allies. We're in the realm of excellent Power-Pop that explodes, detonating, in the obsessive and relentless "A Good Idea." But it's the sunny and carefree "I Can't Change Your Mind," which harkens back to the college rock of R.E.M. and Lemonheads, that stands out as the absolute gem of the album... A good, great idea Bob!!!... more