The most decadent book in English literature. more
Here's where the archaic cuckoo clock of the wrecked grandma ended up! more
End of the world, I love you! more
A nightmare novel and a classic of the fantastic to rediscover. more
A powerful and essential essay, although in the end, Houellebecq's vision of life emerges. more
The best book by Valerio Evangelisti. more
Hello darkness, my old friend... more
The musical soul of No Strange. more
Stonebreaker. more
Superlative!!! more
Fantastic for me! more
Extraordinary compilation, although the best way to get to know the career of this legendary artist remains: "Songs at the close of the Century." Also good are: "The definitive collection" (long version) and "A Song review." more
Danger D'Amico. Where they dance irritates me. more
"Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is THE BEST." more
Constant evolution, unstoppable improvements of an already excellent material from the start. You can tell that this EP from 1982 was recorded when the second "full-length" album (so to speak, since it's the Minutemen), "What Makes a Man Start Fires" (which was yet another step forward compared to the first two EPs and "The Punch Line") was already ready and just postponed. In 6 minutes (for five sound shards), there is an impressive variety of styles, and Hardcore-Punk is increasingly just a fragment of the incredibly rich offering. Alongside the irreverent and sarcastic lyrics, this brilliant trio from San Pedro adds a musical fantasy where in a matter of seconds a jazz rhythm can make love to the irregular noise-punk clatter of the guitar ("Split Red"), where an outstanding bass constantly flirting with funk (Mike Watt becoming even more amazing, who also sings in three out of five tracks here) joins melodic openings or post-punk riffs and guitar lines, and on top of that, many other little things. In a total duration of 6 minutes. One of the most distinctive and overflowing inventive bands of their generation. more
Guys, what can I say? This album is the Alpha and Omega of traditional Irish-Celtic music, the folk revival of the Emerald Isle, the Big Bang of its genre in its years. The center of it all and the starting point (though a whole discussion could be made about Sean O'Riada and the Ceoltóirí Chualann, of course). An absolute milestone. Traditional pieces of every kind (heart-wrenching Slow Airs, Jigs, Reels, Polkas, Uilleann Pipes solos—whatever you can think of: dances and tears) played and arranged by these rigorous and wild archaeologists of Irish music, packed into Medleys that have the magical ability to transport you to a distant Ireland in time, yet with them, it becomes incredibly close in space. Indescribable sensations. Traditional tunes played, among others, by a band of extraordinary musicians not only for spirit and heart but also for technique and instrumental skill—true virtuosos of their instruments, capable of elevating heart-rending dances and melodies like few others, led by the immense Paddy Malone (arranger, incredible player of the uilleann pipes and thin whistle) and known as Sean Potts (with his extraordinary thin whistle, which I could listen to for days without stopping), Martin Fay (fiddle), Michael Tubridy (flute and concertina), and David Fallon (the bodhrán, the Irish drum). One of the greatest bands (folk for sure, but also beyond) of all time for me. more
It's missing a lot; it made the news more entertaining. Now we have that idiot with the pen in his mouth... more
I give it 4 instead of 5 because as a solo artist he has never fully convinced me, aside from a few well-crafted songs here and there. But with the Police, he was truly great and important; 5 splendid and inspired albums, not to mention the fact that he has a unique voice. more
Unbearable, among the most annoying things ever "heard" by the human being. Songs like It's My Life or Always make me break out in hives just by hearing their names. more