Cover of Celtic Frost Monotheist
ThirdWorldChaos

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For fans of celtic frost, lovers of doom and experimental metal, metal music historians, and those interested in the evolution of extreme metal genres.
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THE REVIEW

The Celtic Frost are one of the most well-known bands coming from Switzerland and one of those groups with an undefined genre and a very diverse discography.

From the initial speed-thrash of the beautiful "Morbid Tales" (and the subsequent EP "Emperor's Return"), the band then focused on the more experimental and complex aspect of their sound, expressing themselves through various labels: doom, death, black, avant-garde and even daring the glam experiment ("Cold Lake"), which rightly caused a decline in popularity and sales. They tried again in 1990 with "Vanity/Nemesis" to return to the old proto-thrash paths, but soon after, the band would dissolve, only to reunite in 2001 and release this "Monotheist" in 2006, an album of dubious value.

Because if the first two songs "Progeny" and "Ground" are not actually bad, especially the opener which expresses a certain unhealthy and evil fury, then the album, track by track, descends into a doom mush with almost gothic traits that is decidedly unconvincing, indeed quite boring.

"A Dying God Coming Into Human Flesh" is always on the brink between a flat calm and nonetheless restrained malice, with the handbrake fully engaged even on the following and quite disappointing "Drown In Ashes," in which echoes of a female voice can also be heard, and the quieter, gothic soul decidedly takes the reins of the band.

Some riffs of "Os Abysmi Vel Daath" seem to lift the situation a bit if it weren't for the excessively repetitive and predictable course of the entire piece, the exact same discussion applies to the subsequent "Obscured," which drags on weak and trivial for all its seven minutes.

A bit of grit returns with "My Domain Of Decay" and "Ain Elohim" (the latter truly a little gem of violence that dabbles in thrash/black territory with fitting riffs and rhythms), which definitely stand out from the general flatness that unfortunately also envelops the remaining tracks of this album (especially the deadly, in a negative sense, "Sinagoga Sataneae," fourteen monstrously uninspired minutes).

"Warrior" Fischer and associates took 4 years (from 2002 to 2006) to think about, write, and compose the comeback album, maybe they did too little, or maybe (very likely) it's the usual matter of "de gustibus", it evidently interested them more to focus on that less straightforward and more complex and dark part of their career, so experimentation is welcome but let it be experimentation done with guts though! And "Monotheist" (I sadly reiterate) only rarely shows those qualities.

"Monotheist" therefore is one of the (not few) missteps of Celtic Frost and can only earn a mediocre rating, I hopeful await the album expected for 2008/2009 in search of a positive change and a return to the early, more direct and assaultive sounds that had made Celtic Frost a band with all the capabilities to compete with other sacred monsters in the field (like Venom).

Rating: 5/10

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Summary by Bot

The review examines Celtic Frost's 2006 album Monotheist, noting the band's shift from thrash roots to a doom-heavy, gothic sound. While some tracks show promise, much of the album is seen as repetitive, uninspired, and disappointing. The reviewer regards Monotheist as a misstep in the band's discography and hopes for a return to their earlier, more aggressive style in future releases.

Tracklist Lyrics Videos

03   A Dying God Coming Into Human Flesh (05:39)

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04   Drown in Ashes (04:23)

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05   Os Abysmi vel Daath (06:40)

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06   Temple of Depression (04:59)

08   Domain of Decay (04:38)

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10   Triptych: I. Totengott (04:27)

11   Triptych: II. Synagoga Satanae (14:24)

12   Triptych: III. Winter (Requiem, Chapter Three: Finale) (04:32)

Celtic Frost

Celtic Frost were a Swiss extreme metal band led by Thomas Gabriel “Tom G. Warrior” Fischer, with bassist Martin Eric Ain as a key collaborator. Reviews emphasize their role in early extreme metal and first-wave black metal, plus a reputation for bold experimentation—peaking for many with 1987’s Into the Pandemonium—followed by a widely criticized glam-leaning detour on Cold Lake and a later reunion that produced Monotheist.
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By sfascia carrozze

 A work which, in all sincerity, goes far beyond any rosier sensible-prevision.

 Innovative. Avant garde. Brave. Brutal. Bizarre. Electrifying. Unique.


By Defender85

 "Monotheist is an album not easy to assimilate, centered on themes of death, frustrated human desires, and decomposition."

 "Celtic Frost is a group that has made experimentation its hallmark, offering us absolute masterpieces in the past and now this 'Monotheist'."