After the global success of "Born In The U.S.A" and the release of "Live 1975/1985", Bruce Springsteen faced a heightened family crisis with Julianne Phillips which led to divorce and subsequent marriage to Patti Scialfa: from this emerged "Tunnel of Love", an intimate album that tackles universal themes like love and its facets and serves as an instrument to create a division between those who were attracted only by fashion and those who truly wanted and want to understand the poetics of this immense artist.
The album opens with "Ain't Got You" which, in some aspects, follows the theme of "Dancing In The Dark" and continues with "Tougher Than The Rest", a very beautiful song later featured in "Chimes of Freedom"; in "All That Heaven Will Allow" a crystal-clear voice stands out, recalling his rock sound in "Spare Parts", the rock piece of the album; the first part ends with "Cautious Man" which vaguely recalls Nebraska-like atmospheres and with a stunning "Walk Like A Man" where the relationship with his father returns forcefully to the forefront. The second part begins with the title track, a beautiful song albeit affected by the heavy presence of the synthesizer, serving as a prelude to two songs that deal with the themes of dual identity and betrayal, "Two Faces" and "Brilliant Disguise"; in "One Step Up" Bruce's voice is chilling and creates a true masterpiece followed by two rather melancholic songs that perfectly stand out in what is the compositional soul of the album ("When You're Alone" and "Valentine's Day").
Ultimately, an album where rock sounds are rare (not surprisingly, Bruce disbanded the Band at the end of the tour) and where a twilight pop emerges but never intrusive, with the exception of a sometimes heavy presence of the synthesizer and an overproduction that is nevertheless well balanced.
p.s. In conclusion, considering all the nuances, the album deserves slightly more than 4 stars.
Bruce Springsteen has learned over the years to touch more finely the strings of melancholy, a sentiment that reaches its maximum expression and beauty in the concluding "Valentine’s Day."
The album takes it upon itself not to shout anymore or even whisper, but to speak as a grown person.