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Oberst’s quivering and often dissonant voice sounds like that of a troubled convalescent wandering barefoot through the rooms of his house. This is precisely the most appreciable aspect of Fevers And Mirrors: its distinct tone not only musically but also conceptually.
Oberst’s quivering and often dissonant voice sounds like that of a troubled convalescent wandering barefoot through the rooms of his house.
This is precisely the most appreciable aspect of Fevers And Mirrors: its distinct tone not only musically but also conceptually.
Dive into the haunting world of Fevers and Mirrors—listen now and experience Bright Eyes’ dark folk brilliance.
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