Blackfield
Blackfield V

THE REVIEW

The reason why the fourth chapter was not very well liked will forever remain one of the unresolved mysteries of the universe, material for Roberto Giacobbo indeed; but meanwhile, here comes Steven Wilson returning as a permanent composer in Blackfield for this fifth chapter of the project that sees him involved alongside the Israeli Aviv Geffen.

The formula doesn't change, and therefore the proposal is still oriented towards a melodic, light, simple, and essential rock, but certainly of quality; I've always described Blackfield as the name to recommend to those who want melodic and direct rock, and this album confirms it. Here, they dare less compared to the previous one, where among new solutions and various guest appearances, there was a bit more courage that apparently wasn't very rewarded.

13 tracks that flow pleasantly between harmonious and light guitar parts, consistent but delicate string arrangements, relaxed and spring-like atmospheres, as well as melancholic ones.

But as always in the duo's compositions, simplicity also becomes class, even in simplicity they manage to find that something that makes them unique and hard to imitate in soft-rock; the sustained guitar riff of “Family Man,” the very alternative arpeggios of “We’ll Never Be Apart,” the combination of sustained rhythm-soulful melody in “Lately,” the classical piano turn in “October,” the instrumental “Salt Water,” the almost trip-hop subtle rhythms and sounds of “Lonely Soul,” the nocturnal melodies of “From 44 to 48”… all are examples of Blackfield's talents. The characteristics that make Blackfield lovable are all there, and I would say without hesitation that this album has nothing to envy compared to works considered more important like the first two... except for those who are always looking for a flaw!

Yes indeed, in my opinion, those who find themselves evaluating Blackfield do so by relying too much on the first two albums and unnecessarily looking for flaws, which ends up negatively affecting the judgment. Instead, they should be taken for their simplicity and listened to without too much overthinking and prejudice.

And “Blackfield V” requires exactly this approach, an approach of lightness that will not disappoint!