It is difficult not to describe her as an Icelandic pixie or techno-naturalist, but Björk is much, much more.
Debuting as a solo artist twelve years ago, after freeing herself from the burden of a band that did not understand her new musical desires, and having continued in the meantime to produce albums different from each other but with common denominators such as genius and inexhaustible inspiration, this ever-changing dreamer greeted the new millennium with her best album.
Every piece of her work, although she has managed to continuously reinvent herself, carries her signature, raw and rough, sweet, strong, and impulsive. Punk, jazz, pop, dance, a 64-piece orchestra and synthesizers that take turns becoming protagonists, a soundtrack for Lars Von Trier, voices and choirs... and Vespertine. Intimate, naturalistic, shocking and pulsating with electronic beats that go in rhythm with her heart and with her steps through the woods in her walks in Iceland, Vespertine captures the magic and the nuances of Björk's intense world, serenely making even those who want to embark on this journey with her feel ethereal.
From my honest perspective, I find it a masterpiece of class and skill.
This is an album that lives on silences, sometimes sad and melancholic, other times dreamy and hopeful.
"Vespertine remains the best result of the musical experimentation performed by the ice sprite."
"You should let yourself be enveloped like in a cocoon, just as happens to Bjork in the 'Cocoon' video."
"Vespertine is, for me, Bjork’s best album."
"Bjork is a unique artist in her genre, difficult to appreciate but highly enjoyable if listened to 'with the right ears.'"