I don't think there are reviews, no matter how excellent, that can truly describe this album; it definitely belongs among the 10 essential albums of the nineties not so much because it is a precursor of a certain genre but for the originality with which it handles Dance, Pop, and Electronic.
The Icelandic sprite brings forth her "debut" album which, paradoxically, can be considered the record of artistic maturity (Björk has already been part of other musical projects in the past, such as the Icelandic Post-Punk band Sugarcubes). What is most astonishing is that this album from '93 seems anything but outdated: a song like "Come To Me", which also features Talvin Singh, seems to prophesy what Moby's music will be like ten years later. "Big Time Sensuality" and "Violently Happy" are peaks that Modern Dance can no longer reach; with "Human Behaviour" and "Crying" it feels like entering a true electronic jungle. But aside from her creative genius, Björk enjoys a natural gift, her unmistakable voice, which besides being an added value, is also her strength, and she knows this very well!
Pure avant-garde.
I find myself completely captivated by her voice and the beauty of the songs.
More than just something to own, it’s to be hung in your room next to your Monet or Van Gogh.
Beyond that dull cover... was an authentic little musical gem packaged, a blend of sounds, fantasy, sentiment, sophistication, sensuality, and mood.
'Human Behaviour' is the vital soul of the album, the sum of all its abstract and sensory perceptions, the culmination of the dialectic between light and darkness.