The story of John Power and his Cast is inextricably linked to the English musical culture of the nineties.
He was still a kid when Mike Badger and Lee Mavers recruited him as the bassist for The La's; this resulted in that one album which served as inspiration and sustenance for an entire generation of musicians.
Just like the Stone Roses, the band from Liverpool claimed so many victims that they imploded on themselves; the pressures and -undoubtedly- the immense stress are not factors to be underestimated when reaching the upper echelons of the record industry.
Playing the same tracks for more than five years, meanwhile neglecting the continuous dissatisfaction of frontman Lee as he disparages the production of the album in interviews (for not being retro enough as he wanted it); all of this clearly led Power to the choice of continuing to make music on his own.
The word cast is the last to be uttered in the self-titled album by The La's, in Looking Glass.
The band then came to light after numerous lineup changes. Peter Wilkinson from the defunct Shack on bass, John Power on vocals and guitar, Keith O'Neill on drums, and Liam Tyson on lead guitar (the latter also played with The Strange Sensation of Robert Plant). All Change presents them in all their simplicity.
The Cast are a rock band with a decidedly melodic verve; the tracks are permeated with an electricity that nonetheless does not deny John's folk attitude (highlighted more in his solo albums).
I base my statement especially on Sandstorm and Back Of My Mind.
Walkaway is the track placed towards the end of the album that is worth the price of admission; I've always interpreted it as a moderate and slightly melancholic "screw you."
One of those travel songs, if you will, for leaving the place where you are towards the unknown. It invites you to leave if you've already heard everything "they had to say."
All of All Change is actually imbued with positive sensations, and I can't help but recommend it to those who need to abandon.