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Rock'n'Roll when freed from all chains of commercialism, cheap self-celebration, and crude sonic violence becomes a rushing river of poetic energy, a three-chord melody—bass-guitar-drums, instrumental tour de forces: Rock isn't invented but recreated on the stage, on the fingers dancing over the wood, in the romantic vocal vibrations of Myles Goodwyn akin to Lou Gramm, among the old-style sticks of Jerry Mercer, in the rolling solos of Brian Greenway, never identifying with instrumental grandeur or a feast of megawatts. Discover the review
Rock'n'Roll when freed from all chains of commercialism, cheap self-celebration, and crude sonic violence becomes a rushing river of poetic energy, a three-chord melody—bass-guitar-drums, instrumental tour de forces: Rock isn't invented but recreated on the stage, on the fingers dancing over the wood, in the romantic vocal vibrations of Myles Goodwyn akin to Lou Gramm, among the old-style sticks of Jerry Mercer, in the rolling solos of Brian Greenway, never identifying with instrumental grandeur or a feast of megawatts.
Virtually unknown in Italy, these gentlemen have managed to put out about twenty albums in forty-plus years of career so far, with this being their seventh, dated 1978. Discover the review
Virtually unknown in Italy, these gentlemen have managed to put out about twenty albums in forty-plus years of career so far, with this being their seventh, dated 1978.
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