Cover di Che fantastica storia è la vita

Che fantastica storia è la vita

Album - 2003 - DeB Id: 106559
By Antonello Venditti
9 Tracks 2 Reviews Definitions Listenings Video 1 Charts

Reviews

Album DeRango™ 13,92

Antonello Venditti

Che fantastica storia è la vita cece65

 It’s incredible to think that this bland songwriter is the same author of “Lilly” and “Compagno di scuola”.

 Should you ever get the idea to buy this album, do one thing: go retrieve any of the last 5 albums by the national Antonello, write any lyrics yourself, and sing over them. The result would surely be superior to this useless jumble of words and sounds.

 Explore the full review and decide if Antonello Venditti's latest work lives up to his legendary status.

💬 49
17429
📈 3,92
Album DeRango™ -28,89

Antonello Venditti

Che fantastica storia è la vita marcoliam

 "Il sosia" is an ironic and sharp song where Venditti retraces his roots with humor and political awareness.

 "Non c'è male" fits perfectly with a dynamic rhythm and choral arrangement, reflecting Venditti’s 70s style.

 Discover the poetic world of Antonello Venditti – listen to ‘Che fantastica storia è la vita’ now!

💬 25
2593
📈 1,14
Your rating:
  • Martello
    2 nov 20
    Rating:
    And laughing out of boredom! Antonello, Francesco, go fuck yourselves with all my heart.
     
Your rating:
  • Ditta
    16 jun 20
    Rating:
    the only track on the album with decent lyrics.
     
Your rating:
  • Ditta
    16 jun 20
    Rating:
    Sappy, cloying, embarrassing. Two stars only for the wonderful final solo by Gato Barbieri. But the lyrics are something indecent. "My name is Antonio and I’m a singer-songwriter" (...) "My name is Laura and I have a degree" (was it too expensive to give her another name?) "They call me Jesus and I’m a fisherman" (!!!) "My name is Aisha like a song" (?) "I’m the fourth of three thousand people" (??????)
     

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Antonello Venditti

Antonello Venditti (born in Rome, 1949) is an Italian singer-songwriter and pianist. Rising from the Folkstudio scene, he reached acclaim in the 1970s with politically tinged, piano-led albums (Lilly, Sotto il segno dei pesci). In the 1980s he achieved massive mainstream success (Cuore, In questo mondo di ladri) while keeping Rome and everyday stories at the core of his writing.
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