You are not logged in
The opening track "Shades Of Gray" is the perfect synthesis of this dual soul: icy riffs and decidedly aggressive vocal lines, before a softer chorus that manages to leave its mark. "Circle" is a complex work despite its apparent simplicity, it possesses changing reflections and nuances that need to be thoroughly absorbed.
The opening track "Shades Of Gray" is the perfect synthesis of this dual soul: icy riffs and decidedly aggressive vocal lines, before a softer chorus that manages to leave its mark.
"Circle" is a complex work despite its apparent simplicity, it possesses changing reflections and nuances that need to be thoroughly absorbed.
Discover the layers of Amorphis’ 'Circle'—listen now and experience their melodic evolution firsthand!
The riffs and the general atmospheres of their latest CD appear all too easy listening: the bar is shifting heavily towards a pop/metal devoid of stimulus. Everything is in its place, all the pieces are well thought out and played: yet this is precisely the weak point of the CD, which too often gets lost in keyboard effusions that are indeed evocative but add nothing to the glorious career of Amorphis.
The riffs and the general atmospheres of their latest CD appear all too easy listening: the bar is shifting heavily towards a pop/metal devoid of stimulus.
Everything is in its place, all the pieces are well thought out and played: yet this is precisely the weak point of the CD, which too often gets lost in keyboard effusions that are indeed evocative but add nothing to the glorious career of Amorphis.
Discover Amorphis' latest blend of melody and metal—listen now and decide if 'The Beginning Of Times' hits the mark!
Ohibò! Quest’opera non è in nessuna classifica. Perchè non usare l’apposito pulsante qui sotto?
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.
