Cover of Mina & Adriano Celentano Mina Celentano
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For fans of mina and adriano celentano, lovers of classic italian music, and listeners interested in vocal-driven pop albums.
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LA RECENSIONE

In 1998, two great personalities of Italian music topped the charts with their self-titled album. The result, however, is somewhat below expectations, the songs are all very catchy and well-crafted, but they lack that spark of genius that one would rightfully expect from two artists of this caliber.

The album mostly belongs to Mina, especially in its flaws (virtuosic vocal performances but lacking soul and an overabundance of keyboards), yet it is primarily Celentano's contributions that make the album noteworthy; without him, the album's outcome would have been different. Among the best compositions are "Io ho te" (previously recorded by Audio 2, who penned two other compositions) and "Dolly" (a dialogue between a man and a dog that Celentano brilliantly interprets with two different voice tones) and the amusing "Che t'aggia dì" in a similar Puglian dialect.

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Summary by Bot

The 1998 collaborative album by Mina and Adriano Celentano offers catchy and well-crafted songs but falls short of the expected genius. Mina dominates the album vocally, though some performances lack soul and rely heavily on keyboards. Celentano's contributions stand out, especially tracks like 'Io ho te' and the playful 'Dolly'. The album remains an interesting but slightly flawed work from two Italian music icons.

Tracklist

01   Acqua e sale (04:42)

02   Brivido felino (03:44)

03   Io non volevo (04:08)

04   Specchi riflessi (04:59)

05   Dolce fuoco dell'amore (04:39)

06   Che t'aggia dì (05:09)

07   Io ho te (04:54)

08   Dolly (05:35)

09   Sempre sempre sempre (04:46)

10   Messaggio d'amore (02:36)

Mina

Mina (Anna Maria Mazzini) is an Italian singer widely regarded as one of Italy’s greatest vocal interpreters, known for a long recording career and for reinterpretations spanning pop, jazz-inflected material and songwriter-focused projects.
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