Cover of Zao Liberate Te Ex Inferis
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For fans of zao, lovers of metalcore and hardcore, listeners interested in conceptual metal albums, and readers keen on dark, literary-influenced music.
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THE REVIEW

What kind of band are Zao?

It's thanks to bands like them that metalcore still retains a minimum of dignity. No nonsense, no fringes, no pandering. After all, what is metalcore if not metal plus hardcore? If many bands today thought this way, many abominations could be avoided.

The intro catapults us right where it wants, to the gates of Hell; but we haven't entered yet, we are still in Limbo like in the best Dantean tradition: in fact, the ten tracks that make up the album are divided into five groups, each with two songs, representing the first five circles of hell.

The atmosphere is leaden, sulfurous, painful, you can sense decay, the screams of suffering sinners are excruciating, and it becomes clear there will be no way out. With closed eyes, you can see the flames, the sulfur blows on us. And it's incredible how these images immediately surface clearly in your mind. Dan’s screams and the hardcore-rooted riffs from the Mellinger-Codgell duo are the conduit and the means through which you can see and experience all of this. However, there are also more detached moments, like in "If These Scars Could Speak" (circle of the lustful), where the acoustic guitar takes the lead initially, still maintaining strong dark shades, and then, despite the subsequent metal outbursts, always remains present.

As they say about every great album, each track is different from the others, but if you are looking for variety here, you have to look elsewhere (or if you want to stick with Zao, throw yourself into "The Funeral Of God"), that does not take away that the sound is absolutely unique and unrepeatable.

What would Dante and Virgil have listened to in their infernal descent? What a question, "Liberate Te Ex Inferis".

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Summary by Bot

Zao's Liberate Te Ex Inferis remains a dignified pillar of metalcore, merging metal and hardcore seamlessly. Inspired by Dante's Inferno, the album's ten tracks depict the first five circles of hell with dark, intense atmospheres. Dan Weyandt's screams and the Mellinger-Codgell riffs create vivid imagery of suffering and decay. While the album maintains a distinct, unvarying sound, subtle acoustic moments add depth. Overall, it’s a unique, unforgettable journey through heaviness and concept.

Tracklist

01   Circle I, Limbo: Intro (03:38)

02   Circle I, Limbo: Savannah (02:46)

03   Circle II, the Lustful: Autopsy (02:12)

04   Circle II, the Lustful: If These Scars Could Speak (04:43)

05   Circle III, the Gluttonous: The Ghost Psalm (05:42)

06   Circle III, the Gluttonous: Desire the End (04:58)

07   Circle IV, the Hoarders and the Spendthrifts: Dark Cold Sound (03:10)

08   Circle IV, the Hoarders and the Spendthrifts: Skin Like Winter (02:23)

09   Circle V, the Wrathful: Kathleen Barbra (03:35)

10   Circle V, the Wrathful: Man in Cage Jack Wilson (07:00)