Yui Ondera
Semi Latice

Oneiric digital view of the sound commentary gifted to us by the natural universe of an arcane musical game and by a musician conductor, who does not believe in a God that did not create sound.

The only sound guide of the “oneiric view” is the Japanese Yui Ondera, a guide through emotions generated by the artist’s heart, by the "God of music", and as the ignorant deaf believes, by the random turning of a knob.

A guide in a world alien to being, the artist's task is arduous, to create a continuum, a single sound entity that oscillates between the inside and the outside.

The Japanese artist generates a flow of ambient loops with a “Sol Levante” flavor, atmospheres, and settings, but simultaneously with a marked detachment from his ethnic origin. A Cicero of metasound contrasts with its natural gentleness to our natural audible. First steps, the atmospheres are sweetly mechanic, friendly, softly disturbing, but they’re absorbed with gentle industrial caresses, shapes lost in blurred drone thoughts, yet always very poised. Reflections of synthetic strings between waters and responses from melodic synthetic souls, amicably taking us by the hand, allowing us to hear the whispers of Aeolus between notes of synt dressed as piano and the ever-present binding ambient silk veil that calmly leads the work to its epilogue.

An extremely delicate and suggestive work.

Outside the window of a grey apartment building in a nameless city wrapped in an oppressive atmosphere, one plays with a smooth dark empty cube, seeing in it the magical colors of a Rubik’s cube, and everything flows smoothly and simply, because trying to change, the colors always return, yet I am increasingly convinced that the most valid and interesting works are those that do not offer easy solutions by perhaps cheating, they aren’t those that give us a mere cube with same-colored faces, but ones where you must dig, imagine, suffer and rest assured that personal satisfaction in the end will be unmatched. I am increasingly convinced that electronics are opening new paths, no longer considered cold as they once were, just see how new indie groups have opened their hearts and wallets to ideas stolen from obscure electronic producers, now convinced that electronics, even those most extreme if tamed, deliver. Believe me, we are on the brink of a new musical era, and not to name names, the premises are all there.