Cover of Wolf Parade At Mount Zoomer
sonic80

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For fans of wolf parade, indie rock lovers, alternative pop enthusiasts, followers of modest mouse and arcade fire, and listeners seeking complex and evolving songwriting.
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THE REVIEW

With "At Mount Zoomer", Wolf Parade is back on the scene, one of the most appreciated bands in the Indie scene in recent years.

There was a bit of anticipation for these young Canadians after their widely acclaimed debut in 2005 with "Apologies To The Queen Mary". The album was a success among critics and the public, produced by the talented Isaac Brock, the leader of Modest Mouse.

It consists of nine solid alternative pop-rock songs that (in my opinion) have the merit of not being easily understood after just a few listens (don’t expect to be humming them soon) and compel you to press the "play" button on your stereo again, convinced that the next listen will clarify your ideas better.

The album starts on the right foot with the rhythm changes in "Soldier’s Grin" and with the skewed piano of the short but incisive "Call It a Ritual".

Right from the start, the band makes things clear, proving to be in perfect form and hinting that they didn't want to create a clone of their previous work. It’s no coincidence that they themselves stated that the first songs composed for "At Mount Zoomer" sounded too similar to the previous ones. Hence the decision to scrap them and start from scratch. The result? Unlike "Apologies To The Queen Mary", the approach to songwriting changes, giving more emphasis to the keyboards and resulting in a cleaner and more linear production: this perhaps slightly detracts from the spontaneity and expressive urgency (truly remarkable in their first album) but the tracks follow one another well-crafted and are enjoyable to listen to all around.

Worth remembering are also "Language City" with its compelling finale, the wobbling "Bang Your Dream", and the sunny "The Grey Estates", certainly the most catchy of the bunch. Wolf Parade pulls the ace from their sleeve with the surprising ten-plus minutes of the closing track "Kissing The Beehive" (which was also supposed to be the title of the album): rhythm changes, progressive echoes, and real emotions for what is perhaps the most interesting track of their still sparse discography.

Though clearly influenced by Modest Mouse and to a lesser extent by Arcade Fire, Wolf Parade shows a strong personality and clear distinctive signs that confirm their undisputed talent.

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Summary by Bot

Wolf Parade returns with At Mount Zoomer, offering nine well-crafted alternative pop-rock songs that reveal their maturity and evolved songwriting. Unlike their debut, this album emphasizes keyboards and cleaner production, trading some spontaneity for polish. Highlights include 'Language City', 'The Grey Estates', and the epic closing track 'Kissing The Beehive'. The band’s distinct style shines despite clear influences from Modest Mouse and Arcade Fire.

Tracklist Lyrics Videos

01   Soldier's Grin (04:37)

02   Call It a Ritual (02:45)

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03   Language City (05:02)

04   Bang Your Drum (03:10)

05   California Dreamer (06:00)

06   The Grey Estates (03:26)

07   Fine Young Cannibals (06:31)

08   An Animal in Your Care (04:19)

09   Kissing the Beehive (10:52)

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Wolf Parade

Wolf Parade is a Canadian indie rock band formed in Montreal in 2003, co-led by Spencer Krug and Dan Boeckner. Their Sub Pop debut Apologies to the Queen Mary (partly produced by Isaac Brock of Modest Mouse) earned broad acclaim, followed by At Mount Zoomer, Expo 86, Cry Cry Cry, and Thin Mind.
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