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Rating:
THE REVIEW
A deteriorated box of Play-Doh. Take a portion of psyco garage soaked in Valium, industrial ghosts, the absolute refusal of a semblance of a song, vomited harmonies, free-form sound fluctuations, and monotonous declaiming.
Work it all well, make it into a ball and squeeze it tightly in your fist. Squeeze this undefinable mass with more force, and from the fist will spring out splashes of New York subway with cadaverous Velvet with their faces down in overdose, indifferent indistinct free noise passersby tossing them coins. Helios Creed in full end-of-the-world paranoia finds himself playing free jazz with the Magic Band in an industrial slaughterhouse. Crawling terminal Stooges barely manage to move with a semblance of rhythm. Sonic Youth sprouts catapulted into post-atomic 60s. A post-industrial San Francisco 60s with psycho freak Throbbing Gristle t-shirts. Terminal Cheesecake comes to mind, but that's my problem.
A banquet with expired, soured dishes, they don't want to be liked but if I'm not mistaken we like them ugly, dirty, and bad.
If I'm wrong, steer clear.
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Summary by Bot
This review describes Wolf Eyes' album 'I Am A Problem: Mind In Pieces' as a chaotic and raw noise masterpiece. It evokes imagery of industrial decay and experimental sounds, comparing it to underground music legends. The album rejects traditional song structures, offering instead a challenging and immersive auditory experience. The reviewer appreciates its ugly, dirty, and unpolished authenticity.
Wolf Eyes
Wolf Eyes is an American noise group formed in Michigan in 1996 by Nate Young. Known for harsh electronics, tape abuse, and industrial atmospheres, the group’s key figures include Nate Young and John Olson, with early member Aaron Dilloway. Their Sub Pop-era releases raised visibility for U.S. noise, while numerous tapes and CDRs on Hanson Records and American Tapes built their cult status.04 Reviews
