Wire
Object 47

Object 47 represents a slight step back for Wire after their great comeback in 2003 with the "angry" "Send," nevertheless it remains noteworthy for some interesting ideas.

We can also talk about the musical evolution of the English group, although, in my opinion, it is a regression at least from a sonic point of view, since the innovative music that characterized "Send" (a sort of industrial-flavored dance-punk) has transformed into a lighter post-punk with less inspiration (only occasionally does the brilliance of Newman and company stand out); the guitar no longer dominates as in the last album but is placed behind the rhythm dictated by bass and drums. In this sense, the album can be compared to "154" or "Chairs Missing" (see Wire's discography).

Examining the album in detail, "One Of Us" is the best start to signal this change: it's a piece that clearly refers to new wave with the guitar hidden behind the bass-drum carpet (but nonetheless interesting). "Circumspect" is another enjoyable track but is overshadowed by the following "Mekon Headman," a song always with new-wave tones but with a more intriguing melody.

"Perspex Icon" starts at a more sustained rhythm and the juxtaposition with Newman's almost dream pop voice is very pleasant; among the least inspired in my opinion are "Four Long Years" and "Patient Flees," while "Hard Currency" and "All Fours" break away from the album's atmosphere to bring us back to "Send." From a lyrical standpoint, just like in the previous album, Wire are often critical of how the world is going and of the government ("Hard currency exchange, no credit cash in pocket, everyone's made the same erotic body socket")

In short, a record suitable for fans, but for those who are not familiar with the band, I suggest starting with the early albums.