Confesses David Coverdale in the liner notes about his initial reluctance at the proposal by the Japanese EMI to play some of his Whitesnake's songs in an acoustic version, for fear of stripping them of the hard rock attire with which they were conceived. However, having convinced himself that a good song remains such in any version presented, he chose nine tracks from the band's softer repertoire plus the Purple-era "Soldier Of Fortune" and performed them accompanied by the faithful Adrian Vandenberg on guitar, of course acoustic.
In retrospect, he says he had fun, but admits: "Whether it worked or not, remains to be seen..." and indeed, the doubt is not his alone: there's something that doesn't work in this record.
It's not so much about his voice, which is always deep and fascinating, even though the passing years might be showing just a little, but about Vandenberg's guitar, which indeed displays a certain good taste, yet always remains in the background, unable to adequately fill the spaces (and there are many in 40 minutes) between verses.
There isn't a single solo in the entire album, and just a quick listen around shows that even in an 'unplugged' setting guitar solos can definitely be done!
Only in "Here I Go Again" does the Dutchman seem to lift his head a bit, too bad it’s the penultimate track and in the meanwhile, there's the risk of falling asleep. As for the last track, well... "Soldier Of Fortune" still gives chills, but two tracks in the whole album aren't enough to lift it from the "Only for die-hard fans" category.
Ultimately, it's a showcase of Coverdale's voice and little more - a missed opportunity, what a pity...
"It is interesting to find Whitesnake in an acoustic guise, stripped of the baroque embellishments that adorned their most recent productions."
"This peculiar half-hour is more than enough for Coverdale to make the most intimate confession of a career."