Weyes Blood is the stage name of American singer-songwriter Natalie Mering, known for atmospheric, voice-forward music blending psychedelic folk and baroque pop.

Natalie Mering records as Weyes Blood. Key albums include The Outside Room (2011), The Innocents (2012), Front Row Seat to Earth (2016) and Titanic Rising (2019).

Three DeBaser reviews present Weyes Blood as a singular voice in psychedelic folk and baroque pop. Critics praise her voice, atmosphere and early records (The Outside Room, Cardamom Times) while noting uneven stretches. Titanic Rising elicits divided reactions.

For:Listeners of psychedelic folk, baroque pop and introspective singer-songwriter music looking for atmospheric, voice-forward albums.

 Soprano voice growing in maturity—deep, solemn, loaded with expressiveness on every syllable of singing.

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 I finish listening to the other albums and therefore: the first 4 albums (including EPs) are, amid ups and downs, excellent, with The Outside Room and Cardammon Times as peaks

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 this album pass it by, that record outdo it.

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