American jazz guitarist noted for his thumb-picking technique, octave-based lines and influential 1950s–60s recordings. Widely cited as a major influence on later jazz guitarists.

Self-taught; developed a distinctive thumb-picking style and frequent use of octave passages. Key recordings include The Incredible Jazz Guitar (recorded 1960), Full House (live 1962) and Smokin' at the Half Note sessions with the Wynton Kelly trio. Collaborated with Wynton Kelly, Paul Chambers, Jimmy Cobb, Johnny Griffin, Lionel Hampton, Cannonball Adderley and others.

Four DeBaser reviews praise Wes Montgomery's warm thumb-driven tone, octave-based lines and blues-rooted phrasing. Reviewers highlight The Incredible Jazz Guitar, Full House and The Verve Jazz Sides as essential listening. His influence on later jazz guitarists and collaborations with leading 1950s–60s players are repeatedly noted.

For:Jazz listeners, guitarists, students of jazz history and fans of mid-20th-century jazz

 His music fills my soul with positive sensations.

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 Wes is a genius, a fine innovator who has sown magical pages of enchanting, biting music.

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 Of all the vast discography of Wes, either as a leader or as a guest, this is perhaps one of the most representative examples of his art.

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 Wes Montgomery rightfully belongs to the select group of very few jazz guitarists who have left a mark that goes well beyond the boundaries of the six-string world.

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