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For fans of ween,lovers of psychedelic rock,listeners of alternative and experimental music,readers interested in humorous and quirky album reviews,80s rock enthusiasts
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THE REVIEW

First and foremost, Ween are two funny bastards.

Having clarified this point, let's also add that they can play, but especially these days, I prefer to emphasize the fact that they don't take themselves seriously at all. This debut album of theirs was probably the result of an autogenic training session fueled by hallucinogenic mushrooms, beer, and some adult films. A senseless and hilarious adventure, considering their prodigious ability to chew through decades of rock history, making this work something more than just a simple parody.

Growing up in the Eighties, the decade of hard rock and Prince, it should come as no surprise to find them citing the boorish hard rock typical of that period (Fat Lenny, with a southern vibe; or Wayne's Pet Youngin', complete with an over-the-top solo) or explicitly referencing the Minneapolis genius (LMLYP, let's see who's the first to figure out the acronym...). However, Ween don't shy away from exploring both gospel (Up On The Hill) and reggae (Nicole, whose duration must have been proportional to the blunts smoked during the recording sessions); Don't laugh, I love you is their version of girl pop (ending with a series of aberrant vocalizations, almost worthy of the Boredoms) and Mushroom Festival In Hell (whose title is a classic case of omen nomen) is a bacchanal that would make the Butthole Surfers blush.

In this rollercoaster of styles, it's worth mentioning Marble Tulip Juicy Tree: a highlight of the album, it reviews the clichés of psychedelic rock, with reverse guitars, offbeat singing, and a guitar solo that is as over-the-top as it is drugged-out, practically Eddy Van Halen on a high. The cherry on top is the demented lyrics accompanying music of such quality (which, as you may have realized by now, isn't exclusive to just this track).
Just to stay true to themselves, this album was reissued in 2001 in a "25th anniversary edition": minor detail, only 11 years had passed since the first release.

What a bunch of bastards.

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Summary by Bot

Ween's debut album showcases their ability to blend decades of rock styles with humor and psychedelic chaos. The album spans hard rock, gospel, reggae, and more, with standout tracks like Marble Tulip Juicy Tree. The band’s playful approach ensures an entertaining listening experience beyond mere parody. A reissue in 2001 humorously celebrated a non-existent 25th anniversary. Overall, a brilliantly crafted, funny, and original record.

Tracklist Lyrics Videos

01   You Fucked Up (01:37)

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03   I'm in the Mood to Move (01:16)

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04   I Gots a Weasel (01:22)

08   Don't Laugh (I Love You) (02:49)

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09   Never Squeal (02:25)

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10   Up on Th' Hill (Traditional) (01:56)

11   Wayne's Pet Youngun' (01:41)

13   Common Bitch (01:46)

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15   Old Queen Cole (01:34)

17   Licking the Palm for Guava (01:07)

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18   Mushroom Festival in Hell (02:35)

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21   Old Man Thunder (00:23)

22   Birthday Boy (03:31)

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24   Squelch the Weasel (03:11)

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25   Marble Tulip Juicy Tree (05:24)

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26   Puffy Cloud (Puffy Claude) (02:40)

Ween

Ween is an American rock group formed in 1984 in New Hope, Pennsylvania by Aaron Freeman (Gene Ween) and Mickey Melchiondo (Dean Ween). Known for genre-hopping, irreverent humor, and cult-favorite albums across the 1990s and 2000s.
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