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❝ Hallucinogenic-hallucinatory pop, apparently garage, played by a fool, for those who peel things.
❝ I’m inclined to say that Wavves are succeeding where Weezer never did.
❝ It’s a fun and amused album of noisy guitar pop, which sounds like an adolescent microcosm, like the entire Californian punk school (Adolescents first of all), like the best American indie school (Hüsker Dü, Nirvana, Sebadoh, Superchunk, Pavement, Pixies...) and like the late Jay Reatard (Reatards era), of which it carries the baton and rhythm section, a reason why this is no longer a Wavves record, but of the Wavves (Stephen Pope and Billy Hayes write three songs in total).
❝ The album continues beautifully with indie, lo-fi, post-punk tracks all glazed with noise that doesn’t annoy, but the real gem is found towards the end.
❝ Life Sux is the summa of Nathan Williams’ thought: teetering between the mess and the dirt for its own sake (but conscious) of the early Wavves and the boundless foolishness of the second, this six-song EP has earned glory among wavvesians aficionados presenting the usual mix of bogus lo-fi, pop punk, boorish indie.
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