Band of the young Stan Ridgway, Wall of Voodoo was one of the most original realities of the American new wave.
Originally from California, the 5 musicians, under the guidance of the talented Ridgway (who will have an excellent solo career, see the excellent "The Big Heat") created an eccentric and highly original sound, which finds its masterpiece in this Call Of The West (I.R.S 1982). The sounds and atmospheres of the American frontier meet metropolitan alienation, in a sort of postmodern western soundtrack where cowboys ride chrome Harleys.
After the initial disorienting "Tomorrow," one encounters two strong tracks of the album "Lost Weekend," introspective and melancholic, and "Factory," which takes us galloping through the Colorado desert.
The irresistible "Mexican Radio" is the band's only hit, also noteworthy is "They Don't Want Me," dark and compelling.
The album concludes with the beautiful "Call Of The West" (a name that speaks for itself).
Root exploration, avant-gardism, and electronic experimentation, all seen from a post-punk perspective, for a small but great masterpiece of the '80s. To discover and rediscover.