Aora, dear users, I am completely enthralled, and I am reviewing ('in Itałian) a moðernist piece by Bruno Làussi, one of my favorite singer-interpreters of our song, released in 2006.
..In one of the last comments on my previous (I now find it a bit difficult to call it a) review, I noticed a gentle suggestion to listen to a song, dating back to more than half a century ago, reflecting the acceptance of leaving behind a bad company of apparent love, with a manner that is, if we wish, opposite to the neomelodic trend (and not necessarily Neapolitan by school), during a historical period in which major road and railway projects were beginning in the Peninsula, all things prior to the Morandi Bridge, that "devilry there in Genoa" as the prophetic grandparents often said (who, by the way, never embraced the neomelodic school... only traditional Venetian songs and mountain chants!). A few hours later, I treated myself to watch Lauzi’s live performance on the music show "Questo e quello" hosted by the differently comfortable and pleasant Giorgio Gaber in 63-64, where both traditional Italian songs and the modern trends of national light music were highlighted... but above all, I allowed myself to watch the fiery and flamboyant South American-style version of the German-Irpinian Vinicio Capossela at the 33rd Tenco Award, which, as the minutes passed, had literally entered my head, a swirling surge of emotion in music! And to the cover versions by Piccola orchestra Avion Traavel one can easily "join" a Viva la Libertà Lauzìaca.
Moreover, I can't wait to enjoy and savor the tribute Bruno Lauzi & Aa.Vv. - Il ClUbtenco,
maybe I’ll even rid myself of prosecco-pathy! s-ciau s-ciau
Loading comments slowly